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Chapters (87)
  1. Cover
  2. Praise
  3. Dedication
  4. One
  5. Two
  6. Three
  7. Four
  8. Five
  9. Six
  10. Seven
  11. Eight
  12. Nine
  13. Ten
  14. Eleven
  15. Twelve
  16. Thirteen
  17. Fourteen
  18. Fifteen
  19. Sixteen
  20. Seventeen
  21. Eighteen
  22. Nineteen
  23. Twenty
  24. Twenty-One
  25. Twenty-Two
  26. Twenty-Three
  27. Twenty-Four
  28. Twenty-Five
  29. Twenty-Six
  30. Twenty-Seven
  31. Twenty-Eight
  32. Twenty-Nine
  33. Thirty
  34. Thirty-One
  35. Thirty-Two
  36. Thirty-Three
  37. Thirty-Four
  38. Thirty-Five
  39. Thirty-Six
  40. Thirty-Seven
  41. Thirty-Eight
  42. Thirty-Nine
  43. Forty
  44. Forty-One
  45. Forty-Two
  46. Forty-Three
  47. Forty-Four
  48. Forty-Five
  49. Forty-Six
  50. Forty-Seven
  51. Forty-Eight
  52. Forty-Nine
  53. Fifty
  54. Fifty-One
  55. Fifty-Two
  56. Fifty-Three
  57. Fifty-Four
  58. Fifty-Five
  59. Fifty-Six
  60. Fifty-Seven
  61. Fifty-Eight
  62. Fifty-Nine
  63. Sixty
  64. Sixty-One
  65. Sixty-Two
  66. Sixty-Three
  67. Sixty-Four
  68. Sixty-Five
  69. Sixty-Six
  70. Sixty-Seven
  71. Sixty-Eight
  72. Sixty-Nine
  73. Seventy
  74. Seventy-One
  75. Seventy-Two
  76. Seventy-Three
  77. Seventy-Four
  78. Seventy-Five
  79. Seventy-Six
  80. Seventy-Seven
  81. Seventy-Eight
  82. Seventy-Nine
  83. Eighty
  84. Epilogue
  85. Acknowledgements
  86. Extract from To Keep You Safe
  87. About the Author

The air is cold as I pull it into my throat, but it burns in my lungs with the exhaustion of running, still running.

I want to concentrate on the ground, the things underfoot that cut my ankle. But somewhere a fox barks and I think of Winston again. Winston is significant – not only because I loved him – but because his death was the start of this. If he hadn’t killed the dog, perhaps my life would be different; perhaps Jack’s life would be different.

I run.

The ploughed furrows mean that each step jolts me, sometimes up, sometimes down. I click my hip, my knees jar with the unexpected rough cadence of the ground, but still – panting, I run on. I won’t let myself think of the past; instead I keep my eyes on where I need to get to, and then I reach the other side of the huge field and I’m forced to stop because the other side is a hedge.

In a place where everything is just shadows against shadows, layers of black against black, I nearly slam into it.

My first thought is to turn to see if he’s behind me, but I already know he isn’t. The ploughed field I’ve just run across stretches behind me. Blind eyes search the dark: but I can’t detect any movement. He could be there . . . but I can’t see him and I just don’t feel him.

If he was, I’m in no position to fight him. But still I wished he was here ready to grab me.

Because instead it means that he’s back there, in the cottage, on the other side of the pulled curtains, with Jack.

I bend, drawing great lungfuls of air into my chest, then afterwards, it’s my stomach that’s heaving and I think I’m going to be sick. I want to drop to the damp earth and die. I feel worn, broken, used up. I wish I could just give up, let the cold take me in the night, but I have to keep going. I have to find a way to save Jack. I have to get help.

My eyes have adjusted to the lack of light. I can’t see through the hedge, exactly, but I stand, freezing numb feet in the damp mud, and try to find the best way through. Looking up and down, I can’t make out a gate. It’s through the hedge or nothing. Only then, I notice the moon glint back from something in the hedge. I move closer: urgh. It’s a wire fence.

It’s banked up and thick with weeds. It’s hard on my feet. They already feel ruined. When I was running, I was aware that I was stamping on the occasional stone and I feel it now.