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Chapters (87)
  1. Cover
  2. Praise
  3. Dedication
  4. One
  5. Two
  6. Three
  7. Four
  8. Five
  9. Six
  10. Seven
  11. Eight
  12. Nine
  13. Ten
  14. Eleven
  15. Twelve
  16. Thirteen
  17. Fourteen
  18. Fifteen
  19. Sixteen
  20. Seventeen
  21. Eighteen
  22. Nineteen
  23. Twenty
  24. Twenty-One
  25. Twenty-Two
  26. Twenty-Three
  27. Twenty-Four
  28. Twenty-Five
  29. Twenty-Six
  30. Twenty-Seven
  31. Twenty-Eight
  32. Twenty-Nine
  33. Thirty
  34. Thirty-One
  35. Thirty-Two
  36. Thirty-Three
  37. Thirty-Four
  38. Thirty-Five
  39. Thirty-Six
  40. Thirty-Seven
  41. Thirty-Eight
  42. Thirty-Nine
  43. Forty
  44. Forty-One
  45. Forty-Two
  46. Forty-Three
  47. Forty-Four
  48. Forty-Five
  49. Forty-Six
  50. Forty-Seven
  51. Forty-Eight
  52. Forty-Nine
  53. Fifty
  54. Fifty-One
  55. Fifty-Two
  56. Fifty-Three
  57. Fifty-Four
  58. Fifty-Five
  59. Fifty-Six
  60. Fifty-Seven
  61. Fifty-Eight
  62. Fifty-Nine
  63. Sixty
  64. Sixty-One
  65. Sixty-Two
  66. Sixty-Three
  67. Sixty-Four
  68. Sixty-Five
  69. Sixty-Six
  70. Sixty-Seven
  71. Sixty-Eight
  72. Sixty-Nine
  73. Seventy
  74. Seventy-One
  75. Seventy-Two
  76. Seventy-Three
  77. Seventy-Four
  78. Seventy-Five
  79. Seventy-Six
  80. Seventy-Seven
  81. Seventy-Eight
  82. Seventy-Nine
  83. Eighty
  84. Epilogue
  85. Acknowledgements
  86. Extract from To Keep You Safe
  87. About the Author

To contradict myself, I called out: ‘Mum? Are you there?’ My voice was too loud in the small space. It was like déjà vu from yesterday evening. What I found then, in my son’s empty flat, was terrible. Now, the silence seemed to foreshadow another something awful to come.

The door to the living room on my left was open. The door to the bathroom in front of me was ajar. I pushed it open; inside it was empty.

The door on the right was her bedroom. It was shut. I opened my mouth to speak again but I didn’t like that she hadn’t answered me. The silence in the flat felt . . . oppressive.

And not like my mum.

She always had noise somewhere. The radio, the TV, something. I’d find the TV on and say: ‘Are you watching this?’ And she’d glance at the screen and say: ‘No, I don’t know what it is.’

‘Can I turn it off then?’

‘I like the noise,’ she’d tell me, shaking her head. She was a woman of noise: singing, tapping, talking.

She is a woman of noise, I told myself.

But already I believed the past tense.

Already I knew.

I put off going into the bedroom; instead I pushed open the half-open door to the living room. It was a long, bright room with a kitchenette, opening up to the lounge with its French doors onto the shared gardens. The room was empty; the doors shut, curtains pulled. I snapped the light on. The radio was off; the TV was off.

What had happened here? I thought of the expression on Mrs Dale’s face – ‘Anyone could’ve got in’ – before I accepted that the answer was behind door number three.

And that was the bedroom.

As I reached for the door handle, I noticed that my hand was shaking violently.

Fifty-Five

fifty-five:

– now –

Away from the farmhouse, I am lost. Now I turn in the field like a weathervane trying to find my north. The fog hugs the ground, smothering me. I have no stars, no wind, no lights, not even from the farmhouse. My ears strain for the sounds of something – anything like a road that might help me place myself.

Nothing.

I want to cry out: to rage. I want to scream. But I can’t.

How could I lose my way?

I wish my mother was here.

I think I even whisper her name in the dark. I think I call to her through the fog.

She doesn’t answer.

Fifty-Six

fifty-six:

– before –

‘Mum? Are you in?’ I was back in my mother’s tiny hall, my steps mouse small and timid to her bedroom door. I leaned in close, knuckles murmuring a knock against the door. My held breath finally exhaled against the wood, warming only my face. In the stillness, only silence whispered back.

She did not answer.