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Chapters (87)
  1. Cover
  2. Praise
  3. Dedication
  4. One
  5. Two
  6. Three
  7. Four
  8. Five
  9. Six
  10. Seven
  11. Eight
  12. Nine
  13. Ten
  14. Eleven
  15. Twelve
  16. Thirteen
  17. Fourteen
  18. Fifteen
  19. Sixteen
  20. Seventeen
  21. Eighteen
  22. Nineteen
  23. Twenty
  24. Twenty-One
  25. Twenty-Two
  26. Twenty-Three
  27. Twenty-Four
  28. Twenty-Five
  29. Twenty-Six
  30. Twenty-Seven
  31. Twenty-Eight
  32. Twenty-Nine
  33. Thirty
  34. Thirty-One
  35. Thirty-Two
  36. Thirty-Three
  37. Thirty-Four
  38. Thirty-Five
  39. Thirty-Six
  40. Thirty-Seven
  41. Thirty-Eight
  42. Thirty-Nine
  43. Forty
  44. Forty-One
  45. Forty-Two
  46. Forty-Three
  47. Forty-Four
  48. Forty-Five
  49. Forty-Six
  50. Forty-Seven
  51. Forty-Eight
  52. Forty-Nine
  53. Fifty
  54. Fifty-One
  55. Fifty-Two
  56. Fifty-Three
  57. Fifty-Four
  58. Fifty-Five
  59. Fifty-Six
  60. Fifty-Seven
  61. Fifty-Eight
  62. Fifty-Nine
  63. Sixty
  64. Sixty-One
  65. Sixty-Two
  66. Sixty-Three
  67. Sixty-Four
  68. Sixty-Five
  69. Sixty-Six
  70. Sixty-Seven
  71. Sixty-Eight
  72. Sixty-Nine
  73. Seventy
  74. Seventy-One
  75. Seventy-Two
  76. Seventy-Three
  77. Seventy-Four
  78. Seventy-Five
  79. Seventy-Six
  80. Seventy-Seven
  81. Seventy-Eight
  82. Seventy-Nine
  83. Eighty
  84. Epilogue
  85. Acknowledgements
  86. Extract from To Keep You Safe
  87. About the Author

‘You have to leave. Now.’ There’s a cold authority behind this voice; a strong local accent, and also stubbornness. She’s a young adult, maybe very early twenties, I think and one who sounds like she’s used to getting her own way.

For a moment I’m stunned. I imagined many scenarios but not this. ‘I don’t mean you any harm if that’s what you’re worried about. I’m on my own.’ She doesn’t say anything. I look around and realise that I’d guessed right, it’s clearly a working farm. Although not impossible, perhaps there are more – and hopefully more helpful – members of the family around somewhere. ‘If your parents are in, would you ask them to come to the door?’ For some reason I think of my grandmother and lift my chin a little. ‘Please.’

My maternal grandmother told my mum to hold her head up high in the dock. She told my mum to be fearless – to meet each and every juror’s eye when she told them what my father did to her. She kept a steady gaze as she told them about the nightly beatings – she never faltered. I saw that gleam of pride in my grandmother’s eye when she told me, years later. We both knew by then that my mother was wrong to be so bold: she’d expected to be acquitted, but she wasn’t. Looking unbeaten probably went against her. But I still saw my grandmother’s look of pride and I wondered then, and I wonder now, what sparked it. My family’s name was forever tarnished and my father’s murder forever shaped my life in ways that neither she nor I would’ve wanted.

But, then, standing on this doorstep, I suddenly thought of something I hadn’t considered before. Perhaps, when that knife slid stealthily, steadily, into my father’s neck while he was sleeping, there might have been a bit of my grandmother who approved of my father’s murder and would’ve chosen to have driven the knife in herself, perhaps even deeper, pinning him like a butterfly to his pillow as he slept.

My plea, or perhaps her curiosity, draws her out a little from the doorway. ‘Oh!’ she says when she sees me, then again: ‘Oh!’

I’m aware of what I must look like. I’m standing in socks, and I’m holding my hands up high either side of me, at right angles to my body just like a newborn keeps its hands up either side of its head as it sleeps. As I crossed the fields, it helped reduce the pounding in my wrists. Now, I realised, it looked as if I was showing her the damage, wrists up and turned towards her, as if wanting her to see the red, exposed flesh.