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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

And it was the first time that night I was able to believe that I had triumphed. Anna got meeker, as if changing her mind. And then her company no longer displeased me. She could stay. And I fell asleep admiring her, beautiful and kind, persuaded. I soon fell asleep.

An awful dream. I found myself in a complicated structure, but which I understood right away as if I had been part of it. A huge, primitive cave, without those decorations nature has fun creating in caves, and thus certainly the work of man; I was sitting in the dark on a three-legged wooden stool next to a glass chest feebly lit by a light I took to be one of its qualities, the only light in the vast space, and which lit me, a wall made of large uncut stones, and, beneath it, a cement wall. How expressive dream structures are! You might say they are so the person who designed them can understand them easily, and that would be correct. But the surprising thing is that the architect doesn’t know he has built them, and he doesn’t remember it even when he is awake, and thinking about the world it emerged from and where structures pop up with such ease he might be surprised to find that everything there is understood with no need for a single word.

I knew right away that that cave had been built by men who were using it for a cure they had come up with, a cure that would be lethal for one of those put away there (a lot of them must have been down there in the shadows), but beneficial to all of the others. Exactly! A kind of religion, which needed a sacrifice, and by that I was naturally not surprised.

It was quite a bit easier to guess that, since I had been placed so close to the glass chest in which the victim was supposed to be asphyxiated, I had been chosen to die, to everyone else’s advantage. And I was already anticipating the pains of the horrible death that was awaiting me. I was having trouble breathing, and my head was hurting and feeling heavy, as a result of which I held it in my hands, my elbows propped on my knees.

All at once everything that I already knew was spoken by a lot of people concealed in the darkness. My wife spoke first: ‘Hurry up, the doctor said you’re the one who has to go into that chest.’ It seemed distressing to me, but very logical. So I didn’t protest, but I pretended not to hear. And I thought: ‘My wife’s love has always struck me as stupid.’ A lot of other voices were shouting imperiously: ‘Have you decided to obey?’ Among them I made out, very clearly, Dr Paoli’s. I couldn’t protest, but thought: ‘He is doing it to be paid.’

I lifted my gaze for another look at the glass chest that was awaiting me. I then saw, sitting on the lid, the bride. There, too, she maintained her constant air of easy assurance. Frankly, I despised that silly woman, but I was immediately informed that she was very important for me. I would have found this out in real life too, seeing her seated on that device that was supposed to kill me. And so, eagerly, I looked at her. I felt like one of those tiny little dogs that win favour by wagging their tails. What degradation!