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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

But don’t you understand, Massigher? Don’t you feel sufficiently safe in this great old house? How can you feel doubt? Isn’t it enough for you to be surrounded by these solid old walls, this nicely balanced peace, these impassive faces? How do you dare offend such dignity with your silly childish fears?

‘You look like a soul possessed,’ remarked his friend Fedri affectionately, ‘like a painter … what prevented you from combing your hair? Please, next time … you know Mother’s views on this,’ and he burst out laughing.

He was interrupted by a peevish enquiry from his father: ‘Well, shall we begin this bridge? We’ve still got time, you know. One game and then bed. Giorgina, would you be good enough to get the cards?’

At this point the butler appeared; he looked thoroughly dumbfounded by the turn events were taking. ‘What is it now?’ asked Signora Gron, with ill-concealed irritation, ‘Has someone else arrived?’

‘It’s Antonio, the bailiff … he wants to speak to one of you, he says it’s important.’

‘I’ll go,’ said Stefano immediately, standing up quickly as though afraid of somehow being too late.

His wife did indeed hold him back. ‘No no, you stay here. It’s far too damp outside … you know quite well … your rheumatism … you stay here, dear. Fedri will go.’

‘It’ll only be the usual business,’ said the boy, walking towards the curtain. From the distance there came a confused sound of voices.

‘Are you going to play here?’ asked the signora in the interim. ‘Giorgina, take that vase away, please … then do go to bed, dear, it’s already late. And what are you going to do, Martora – go to sleep?’

The old man roused himself, embarrassed: ‘Had I fallen asleep? Yes, I believe I had, for a few minutes.’ He smiled. ‘The fireside, old age …’

‘Mother,’ the girl called from another corner of the room. ‘I can’t find the box of cards, they were here in the drawer yesterday.’

‘Open your eyes, my dear. What’s that on the side table? You never find anything …’

Massigher arranged the four chairs and began to shuffle the pack. At this point Fedri reappeared. Wearily, his father asked, ‘What did Antonio want?’

‘Absolutely nothing,’ answered the boy merrily. ‘Just the usual peasant’s panics. The river’s very swollen, they say the house is in danger – think of that. They wanted me to go and see – in this weather! They’re all praying there now, and ringing the bells – can you hear?’

‘Fedri, let’s go and see together,’ suggested Massigher. ‘Just for five minutes. Will you come?’

‘And what about our game, Massigher?’ enquired the signora. ‘So you’d leave Dr Martora in the lurch? And get a soaking too.’

So the four men began their game, Giorgina went to bed and her mother sat in a corner with her embroidery.

As the game progressed, the thuds they had heard earlier became more frequent. It sounded as if some heavy object were falling into a deep mud-filled hole, a sound of doom coming from the bowels of the earth. After each thud there was a feeling of unease, the players hesitated to play their cards, caught their breath, fumbled, but the tension vanished as quickly as it had come.