Contents ( 92)
- Introduced, edited and with selected translations by Jhumpa Lahiri
- Contents
- About the Author
- A Note on the Citation of Titles and Their Translations
- Introduction
- Elio Vittorini
- Name and Tears
- Giovanni Verga
- Picturesque Lives
- Giuseppe Tomasi di Lampedusa
- The Siren
- Antonio Tabucchi
- Against Time
- Italo Svevo
- Generous Wine
- Leonardo Sciascia
- The Long Voyage
- Alberto Savinio
- Bago
- Umberto Saba
- The Hen
- Lalla Romano
- The Lady
- Fabrizia Ramondino
- The Tower
- Luigi Pirandello
- The Trap
- Cesare Pavese
- Wedding Trip
- Goffredo Parise
- Melancholy
- Aldo Palazzeschi
- Silence
- Anna Maria Ortese
- A Pair of Eyeglasses
- Alberto Moravia
- The Other Side of the Moon
- Elsa Morante
- The Ambitious Ones
- Giorgio Manganelli
- Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
- Primo Levi
- Quaestio de Centauris
- Tommaso Landolfi
- Gogol’s Wife
- Natalia Ginzburg
- My Husband
- Carlo Emilio Gadda
- The Mother
- Ennio Flaiano
- A Martian in Rome
- Beppe Fenoglio
- The Smell of Death
- Luce D’eramo
- Life as a Couple
- Antonio Delfini
- The Milliner
- Grazia Deledda
- The Hind
- Alba De Céspedes
- Invitation to Dinner
- Silvio D’arzo
- Elegy for Signora Nodier
- Fausta Cialente
- Malpasso
- Carlo Cassola
- At the Station
- Cristina Campo
- The Golden Nut
- Italo Calvino
- Dialogue with a Tortoise
- Dino Buzzati
- And Yet They Are Knocking at Your Door
- Massimo Bontempelli
- The Miraculous Beach, or, Prize for Modesty
- Romano Bilenchi
- A Geographical Error
- Luciano Bianciardi
- The Streetwalker
- Anna Banti
- Miss
- Giovanni Arpino
- The Baboon
- Corrado Alvaro
- Barefoot
- Notes
- Chronology
- Further Reading
- Acknowledgements
- Copyright Information
- About the Translators
- THE BEGINNING
Every so often typhus, or cholera, or a bad harvest, or a storm at sea come along and make a good clean sweep through that swarm of people. You would imagine they could wish for nothing better than to be swept away and disappear altogether, but they always come swarming back again to the very same place. I can’t tell you how or why they do it.
Did you ever, after an autumn shower, find yourself scattering an army of ants as you carelessly traced the name of your latest boyfriend in the sand along the boulevard? Some of those poor little creatures would have remained stuck on the ferrule of your umbrella, writhing in agony, but all the others, after five minutes of rushing about in panic, would have returned to cling on desperately to their dark little ant-heap. You wouldn’t go back there, certainly, and neither would I. But in order to understand that kind of stubbornness, which in some respects is heroic, we have to reduce ourselves to the same level, restrict our whole horizon to what lies between a couple of mounds of earth, and place their tiny hearts under a microscope to discover what makes them beat. Would you, too, like to take a look through this lens here, you who contemplate life through the other end of a telescope? You’ll think it a curious spectacle, and it might amuse you, perhaps.
We were very close friends (do you remember?), and you asked me to dedicate a few pages to you. Why? à quoi bon, as you would put it. What value does anything I write possess for anyone who knows you? And to those who don’t, what are you anyway? But never mind all that, I remembered your little whim, on the day I set eyes once again on that beggarwoman you gave alms to, with the pretext of buying the oranges she’d laid out in a row on the bench outside the front door. The bench is no longer there, they’ve cut down the medlar tree in the yard and the house has a new window. It was only the woman that hadn’t changed. She was a little further on, holding out her hand to the cart-drivers, crouching there on the pile of stones blocking the entrance to the old outpost of the National Guard. As I was doing the rounds, puffing away at a cigar, it struck me that she too, poor as she is, had seen you passing by, fair of skin and proud of bearing.
Don’t be angry if I’ve remembered you in such a way, and in such a context. Apart from the happy memories you left me, I have a hundred others, indistinct, confused, all different, gathered here, there and everywhere – some of them mere daydreams, perhaps – and in my confused state of mind, as I walked along that street that has witnessed so many happy and painful events, the frail-looking woman crouching there in her mantilla made me somehow feel very sad, and made me think of you, glutted with everything, even with the adulation heaped at your feet by the fashion magazines, that often splash your name in the headlines of their elegant feature articles – glutted to such a degree as to think up the notion of seeing your name in the pages of a book.