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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Every so often typhus, or cholera, or a bad harvest, or a storm at sea come along and make a good clean sweep through that swarm of people. You would imagine they could wish for nothing better than to be swept away and disappear altogether, but they always come swarming back again to the very same place. I can’t tell you how or why they do it.

Did you ever, after an autumn shower, find yourself scattering an army of ants as you carelessly traced the name of your latest boyfriend in the sand along the boulevard? Some of those poor little creatures would have remained stuck on the ferrule of your umbrella, writhing in agony, but all the others, after five minutes of rushing about in panic, would have returned to cling on desperately to their dark little ant-heap. You wouldn’t go back there, certainly, and neither would I. But in order to understand that kind of stubbornness, which in some respects is heroic, we have to reduce ourselves to the same level, restrict our whole horizon to what lies between a couple of mounds of earth, and place their tiny hearts under a microscope to discover what makes them beat. Would you, too, like to take a look through this lens here, you who contemplate life through the other end of a telescope? You’ll think it a curious spectacle, and it might amuse you, perhaps.

We were very close friends (do you remember?), and you asked me to dedicate a few pages to you. Why? à quoi bon, as you would put it. What value does anything I write possess for anyone who knows you? And to those who don’t, what are you anyway? But never mind all that, I remembered your little whim, on the day I set eyes once again on that beggarwoman you gave alms to, with the pretext of buying the oranges she’d laid out in a row on the bench outside the front door. The bench is no longer there, they’ve cut down the medlar tree in the yard and the house has a new window. It was only the woman that hadn’t changed. She was a little further on, holding out her hand to the cart-drivers, crouching there on the pile of stones blocking the entrance to the old outpost of the National Guard. As I was doing the rounds, puffing away at a cigar, it struck me that she too, poor as she is, had seen you passing by, fair of skin and proud of bearing.

Don’t be angry if I’ve remembered you in such a way, and in such a context. Apart from the happy memories you left me, I have a hundred others, indistinct, confused, all different, gathered here, there and everywhere – some of them mere daydreams, perhaps – and in my confused state of mind, as I walked along that street that has witnessed so many happy and painful events, the frail-looking woman crouching there in her mantilla made me somehow feel very sad, and made me think of you, glutted with everything, even with the adulation heaped at your feet by the fashion magazines, that often splash your name in the headlines of their elegant feature articles – glutted to such a degree as to think up the notion of seeing your name in the pages of a book.