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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘Mamma went to get them on Via Roma,’ said Eugenia with a look of gratitude. ‘We paid a grand total of a good eight thousand lire, you know? Really … my aunt is …’ she was about to add ‘truly a good person’, when Aunt Nunzia, looking out of the basement room, called angrily: ‘Eugenia!’

‘Here I am, Aunt!’ and she scampered away like a dog.

Behind their aunt, Pasqualino, all red-faced and bewildered, with a terrible expression somewhere between disdain and surprise, was waiting.

‘Go and buy two candies for three lire each, from Don Vincenzo at the tobacco store. Come back immediately!’

‘Yes, Aunt.’

She clutched the money in her fist, paying no more attention to the comic, and hurried out of the courtyard.

By a true miracle she avoided a towering vegetable cart drawn by two horses, which was coming towards her, right outside the main entrance. The carter, with his whip unsheathed, seemed to be singing, and from his mouth came these words: ‘Lovely … Fresh,’ drawn out and full of sweetness, like a love song. When the cart was behind her, Eugenia, raising her protruding eyes, basked in that warm blue glow that was the sky, and heard the great hubbub all around her, without, however, seeing it clearly. Carts, one behind the other, big trucks with Americans dressed in yellow hanging out of the windows, bicycles that seemed to be tumbling over. High up, all the balconies were cluttered with flower crates, and over the railings, like flags or saddle blankets, hung yellow-and-red quilts, ragged blue children’s clothes, sheets, pillows and mattresses exposed to the air, while at the end of the alley ropes uncoiled, lowering baskets to pick up the vegetables or fish offered by peddlers. Although the sun touched only the highest balconies (the street a crack in the disorderly mass of buildings) and the rest was only shadow and garbage, one could sense, behind it, the enormous celebration of spring. And even Eugenia, so small and pale, bound like a mouse to the mud of her courtyard, began to breathe rapidly, as if that air, that celebration and all that blue suspended over the neighbourhood of the poor were also hers. The yellow basket of the Amodios’ maid, Rosaria Buonincontri, grazed her as she went into the tobacco shop. Rosaria was a fat woman in black, with white legs and a flushed, placid face.

‘Tell your mamma if she can come upstairs a moment today, Signora Amodio needs her to deliver a message.’

Eugenia recognized her by her voice. ‘She’s not here now. She went to Via Roma to get my glasses.’

‘I should wear them, too, but my boyfriend doesn’t want me to.’

Eugenia didn’t grasp the meaning of that prohibition. She answered only, ingenuously: ‘They cost a great amount; you have to take very good care of them.’

They entered Don Vincenzo’s hole-in-the-wall together. There was a crowd. Eugenia kept being pushed back. ‘Go on … you really are blind,’ observed the Amodios’ maid, with a kind smile.