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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

The family tableware had also gradually diminished: plates, trays, glasses, jugs … In the course of many years, as a result of moments of distraction or carelessness, the inevitable breakages had occurred, no matter how vigilant Leonia had tried to be. Now she was left with just a single bowl for herself: one which she had to use for everything, from soup to fruit. As for the master, he had two plates and a bowl at his disposal. Leonia was frequently obliged to wash one of these items during the course of a meal. There was a single glass: the very last, so she drank straight from the bottle. She feared for that glass more than anything: it was the source of an anxiety that disturbed her sleep. One night she dreamt that she had broken it, that it had slipped from her grasp, that the last glass of the Vai household had shattered into pieces – and woke with a start, thanking the Lord that it was only a dream. And a few days later, as luck would have it, the glass really had fallen on to the floor, without breaking or receiving a single scratch. Divine providence had intervened, surely it was on her side: there could be no doubt about it. Leonia silently recited a prayer, and considered the fall of the glass to be both a miraculous event and a warning from on high.

Then something extraordinary and unexpected happened.

Arriving home one lunchtime after a morning walk, Benedetto Vai appeared with an enormous bundle under his arm and deposited it with great care on the table in his room.

At this unprecedented, astonishing sight, Leonia gave a start.

For over twenty years the master had not once returned home with something in his hands. What on earth could the package contain? What was the meaning of an event such as this?

Having removed his hat and coat, Benedetto Vai devoted himself, beneath her gaze, to unfurling the bundle with the most extreme care. It contained twelve exquisitely beautiful antique glasses of remarkable thinness. They were engraved with hunting motifs, encircled and interwoven with infinitely graceful, delicate garlands of flowers and fronds, and were the product of sophisticated eighteenth-century Venetian craftsmanship.

What could such an acquisition mean? With whom had he negotiated their purchase? Where had he got them from? Who was going to use these twelve glasses? The silent one had evidently decided to open his mouth, and the spell was broken. And was he now on the verge of deciding to open up the house to someone else? To shatter the tragic solitude and the silence? Would the superhuman effort that the sacrifice had cost end up in nothing but a clinking of glasses? Perhaps even an extremely vulgar affair. Twenty years of silence would have been concluded with a bit of rowdiness: with a bit of merry-making. A real drinking session, perhaps, with some of those present ending up under the table. The woman felt like she was falling into a void. She felt tricked, deeply violated. And for the first time she felt like the victim of a madman. It had not been a deep-seated necessity arising from his nature and spirit that had led him to such extremes after all, but an intriguing experience, the caprice of a lazy man, a game conjured up by an empty mind, a joke in very bad taste. Who would turn up for a drink at the house of a misanthropist? And who, anyway, would someone like him have invited?