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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

The Hen

Translated by Howard Curtis

Odone Guasti, who was later, under another name, to acquire a degree of fame in the republic of letters, was, at the age of not yet fifteen, an office and warehouse apprentice in a small firm in Trieste dealing in citrus fruits. Thinking himself perhaps a born merchant, he had been overjoyed to abandon his classical studies, to which he believed himself unsuited, in favour of a commercial career. But he had not spent even a month in his new life when, faced with crates of oranges to be marked and letters to be copied into the book, the restlessness fundamental to his nature had caught up with him just as it had over the Ministry-approved Greek and Latin texts which he had defaced with caricatures in the margins. He hated his boss, the ‘exploiter’ of his clear handwriting and his long adolescent legs, with a hatred very similar to that which he had borne the class monitor; and he felt as much contempt for his only workmate, an elderly clerk, as he had felt at school for his classmates, who always got good marks at the end of the year and were always well treated by the masters. This hatred was, of course, unjust, but many years were to pass, and many sorrows overcome, before Odone, thinking over the past and comparing it with the present, realized that the blame was entirely his, that he had done too much and too little to succeed either as a good pupil or, later, as a good employee. It is an inestimable privilege of maturity to find the roots of our ills only in ourselves, whereas the young man cannot help but blame the outside world, and with all the more ferocity the greater his own defects. And besides, who was there to explain Odone to himself and provide him with constructive criticism when his own father had gone, God alone knew where, even before he was born and had never returned, and he lived alone with his mother, a poor, deeply unhappy woman who understood little of life beyond the need for her only son to be physically well and to soon earn enough to relieve the two of them of a humiliating dependence on their relatives? Signora Rachele (that was Odone’s mother’s name) loved the boy with an almost sinful intensity, with that exaggerated maternal love peculiar to women who have married in vain; and the loved one had until then returned a similar affection, although tinged with selfishness; because parents love for what they give, and children for what they receive. There comes a moment in the life of a young man when filial love, before burning itself out in reaction to the family, to be replaced by love in the strictest sense of the word, flares up one last time in the most resplendent fashion: so it was that, on the afternoons of feast days, the few loving couples in the half-deserted Passeggio Sant’Andrea would see Odone, already in long trousers and with the beginnings of a moustache on his lips, walking arm in arm with his mother, who was much shorter than he and wore a black veil and such a strange, tiny hat as to make the observer feel sorry for her. In the same way, after dinner, mother and son would indulge in the tenderest of conversations, in which their differences of opinion, already beginning to become marked in the young man, were not yet such, compared with the certainty of a common future, as to cause his filial submission to degenerate into open revolt, and their romance into quarrels. As far as his mother was concerned, Odone was still a child who every evening, before going to bed, never forgot to thank God in his prayers for having granted him the most beautiful, the best, the wisest of all the many mothers who have inhabited, for the happiness of their sons, the splendid and never sufficiently praised work of creation.