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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Rustic progeny, raising perpetual bread: let them grow up, let them love. She considered her story to be at its end. The sacrifice had been performed. In purity; of which God alone is knowledge. She was happy that other men and women might gather the vital sense of the tale, deluded still, with their hot blood, in regarding it as necessary truth. The smoke rose from the houses on the far horizon. No one would have kept her spirit, or her cheer, for so long in the empty days.

But Gonzalo? Oh, the marvel of life! A continuity fulfilled. Once again, from the terrace, she seemed aware of the curve of the world: the sphere of lights, revolving; they vanished in a mist the colour of periwinkle towards the quietness of the night. On the world, bringer of grain, and of song, the tranquil lights of midsummer. She felt herself still watching it, from the terrace of her life, oh! still, for a moment, to be part of the calm evening. A sweet lightness. And, high in the sky, the sapphire of the ocean: which Alvise had contemplated, in trepidation, and Antoniotto of Noli, rounding capes of nameless reality towards the emergent dream of archipelagos. She felt drawn into the event, into the ancient flow of possibility, of continuation: like all, close to all. She had overcome the darkness through her thought, her sons, giving herself: gifts of good works and hopes for the sanctity of the future. Her consummate labour took her back on to the path of souls. She had learned, taught. Late chimes: and silence had drunk the slow-burning wick of the vigils. Dawn crept in between the lines: noble paragraphs! and she, in sleep, repeated its sentence. Generations, chirruping of springtime, game of perpetual life beneath the gaze of the towers. Thoughts had stirred thoughts, souls had stirred souls. Grieving nations ferried them towards the shores of knowledge, ships by the Dark Sea. Perhaps in this way the atrocity of her pain, to God, would not be without purpose.

She put her hands together.

Gonzalo, with his work, made enough to live on. Recently, he had been to Modetia,fn7 the seamstress at Modetia was to make him some plain woven shirts: she had, indeed, written: she would cut them with the greatest care, so obliged she felt, dear Señora, for her kindness and courtesy.

Gonzalo! Her older son had no state pension, except for a trifle, for a paltry medal: the last and most ludicrous of medals. (But this is what the experts might believe, not his mother’s certainty.) There was, in any case, no reason for him to have a state pension. His eardrums were affected, now, by an ailment other than some traumatic wound – ruined, it could be said, by some other tedium that was not the impenetrable mist of deafness. She couldn’t say how he had reappeared to her, oh!, in an ashen dawn: among the commerce and the mire of Pastrufazio, and the indomitable motor cars. He was unscathed, with few years inside the grey epaulettes he wore on his return. Perhaps his war had not been hazardous for him. He told no stories, never: he never spoke about it to anyone: certainly not to the children, when they gathered round him during a moment’s rest, warriors or admirals, grazed, hot, with tin bayonets: nor to the ladies in the villas who were, he said, among the choicest women of Pastrufazio, those most thirsty for epic sagas: and consequently the most enthusiastic imbibers of tall stories.