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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Baldassare Mulas advanced across the green plain wearing a cap and sporting a great white beard, as short in stature as a woodland gnome. In response to his call the lovely fat cows and still wild red bullocks approached docilely, letting him touch their flanks and open their mouths, and the fierce-looking mastiff wagged its tail as if recognizing a friend in the cattle dealer.

A deal, however, could not be concluded. For although the servant Malafazza – a filthy scoundrel, as dark as a Bedouin – had portrayed his master as a fool, the latter proved to be well enough equipped to handle his own business affairs, not budging from the high price he’d originally quoted to the dealer, and obliging him to leave empty-handed.

The servant, who was heading back to town as he did every evening, kept the dealer company for some of the way, and the master saw from a distance how he was gesturing and laughing – having some fun at his expense, perhaps – but he was past caring about what others thought of him. Left alone, he headed back to the hut, placed a bowl of milk on the grass in the clearing, and, sitting on a rock, began to cut strips from the skin of a pine marten.

All around the vast plain, green with the new grass of autumn, there was a biblical calm; the sun was setting rose-coloured above the violet line of the plateau of Goceano; the rose-coloured moon was rising from the violet woods of the lands of Nuoro. The herd was grazing tranquilly, and the hides of the heifers were lit by the sunset, as if dyed red. The silence was such that if some distant voice reverberated, it seemed as if it were coming from underground. A man of aristocratic appearance passed in front of the hut, wearing a moleskin suit, but with a Sardinian beret, leading two reddish oxen dragging an ancient plough with its silvery shares turned upwards. He was an impoverished gentleman farmer who was not above ploughing and planting the land himself. Without stopping, he greeted old Baldassare.

‘So, have you seen your sweetheart today?’

‘It’s still too early: if she isn’t hungry that little she-devil won’t put in an appearance.’

‘What are you doing with that pelt?’

‘Making laces for my shoes. I’ve discovered that the skin of a marten is more durable than dogskin.’

‘It can take more rain, you’ll see! Well, God be with you.’

‘And Mary with you.’

Once the man with his plough shining like a silver cross had vanished, everything was silent again; but as the sun was going down the old man gazed a little anxiously towards the line of scrub at the far end of the plain, and finally stopped what he was doing and remained motionless. The cows were retreating into their herds, turning first to look at the sun suspended above the line of the horizon: red and blue mists were rising, and everything, lightly veiled in them, seemed to give a shudder of sadness; the grass blades that moved despite there being no wind resembled eyelids blinking over eyes that were on the verge of tears.