Contents ( 92)
- Introduced, edited and with selected translations by Jhumpa Lahiri
- Contents
- About the Author
- A Note on the Citation of Titles and Their Translations
- Introduction
- Elio Vittorini
- Name and Tears
- Giovanni Verga
- Picturesque Lives
- Giuseppe Tomasi di Lampedusa
- The Siren
- Antonio Tabucchi
- Against Time
- Italo Svevo
- Generous Wine
- Leonardo Sciascia
- The Long Voyage
- Alberto Savinio
- Bago
- Umberto Saba
- The Hen
- Lalla Romano
- The Lady
- Fabrizia Ramondino
- The Tower
- Luigi Pirandello
- The Trap
- Cesare Pavese
- Wedding Trip
- Goffredo Parise
- Melancholy
- Aldo Palazzeschi
- Silence
- Anna Maria Ortese
- A Pair of Eyeglasses
- Alberto Moravia
- The Other Side of the Moon
- Elsa Morante
- The Ambitious Ones
- Giorgio Manganelli
- Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
- Primo Levi
- Quaestio de Centauris
- Tommaso Landolfi
- Gogol’s Wife
- Natalia Ginzburg
- My Husband
- Carlo Emilio Gadda
- The Mother
- Ennio Flaiano
- A Martian in Rome
- Beppe Fenoglio
- The Smell of Death
- Luce D’eramo
- Life as a Couple
- Antonio Delfini
- The Milliner
- Grazia Deledda
- The Hind
- Alba De Céspedes
- Invitation to Dinner
- Silvio D’arzo
- Elegy for Signora Nodier
- Fausta Cialente
- Malpasso
- Carlo Cassola
- At the Station
- Cristina Campo
- The Golden Nut
- Italo Calvino
- Dialogue with a Tortoise
- Dino Buzzati
- And Yet They Are Knocking at Your Door
- Massimo Bontempelli
- The Miraculous Beach, or, Prize for Modesty
- Romano Bilenchi
- A Geographical Error
- Luciano Bianciardi
- The Streetwalker
- Anna Banti
- Miss
- Giovanni Arpino
- The Baboon
- Corrado Alvaro
- Barefoot
- Notes
- Chronology
- Further Reading
- Acknowledgements
- Copyright Information
- About the Translators
- THE BEGINNING
An attempt to establish in what precisely subsisted the common attributes of the different forms would be quite another thing. Perhaps it was no more and no less than the creative afflatus of Nikolai Vassilevitch himself. But no, it would have been too singular and strange if he had been so much divided off from himself, so much averse to himself. Because whoever she was, Caracas was a disturbing presence and even – it is better to be quite clear – a hostile one. Yet neither Gogol nor I ever succeeded in formulating a remotely tenable hypothesis as to her true nature; when I say formulate, I mean in terms which would be at once rational and accessible to all. But I cannot pass over an extraordinary event which took place at this time.
Caracas fell ill of a shameful disease – or rather Gogol did – though he was not then having, nor had he ever had, any contact with other women. I will not even try to describe how this happened, or where the filthy complaint came from; all I know is that it happened. And that my great, unhappy friend would say to me: ‘So, Foma Paskalovitch, you see what lay at the heart of Caracas; it was the spirit of syphilis.’
Sometimes he would even blame himself in a quite absurd manner; he was always prone to self-accusation. This incident was a real catastrophe as far as the already obscure relationship between husband and wife, and the hostile feelings of Nikolai Vassilevitch himself, were concerned. He was compelled to undergo long-drawn-out and painful treatment – the treatment of those days – and the situation was aggravated by the fact that the disease in the woman did not seem to be easily curable. Gogol deluded himself for some time that, by blowing his wife up and down and furnishing her with the most widely divergent aspects, he could obtain a woman immune from the contagion, but he was forced to desist when no results were forthcoming.
I shall be brief, seeking not to tire my readers, and also because what I remember seems to become more and more confused. I shall therefore hasten to the tragic conclusion. As to this last, however, let there be no mistake. I must once again make it clear that I am very sure of my ground. I was an eyewitness. Would that I had not been!
The years went by. Nikolai Vassilevitch’s distaste for his wife became stronger, though his love for her did not show any signs of diminishing. Towards the end, aversion and attachment struggled so fiercely with each other in his heart that he became quite stricken, almost broken up. His restless eyes, which habitually assumed so many different expressions and sometimes spoke so sweetly to the heart of his interlocutor, now almost always shone with a fevered light, as if he were under the effect of a drug. The strangest impulses arose in him, accompanied by the most senseless fears. He spoke to me of Caracas more and more often, accusing her of unthinkable and amazing things. In these regions I could not follow him, since I had but a sketchy acquaintance with his wife, and hardly any intimacy – and above all since my sensibility was so limited compared with his. I shall accordingly restrict myself to reporting some of his accusations, without reference to my personal impressions.