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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

A few moments passed without any sign of life from the other rooms. Massigher plucked up his courage: ‘Signora,’ he said, ‘I did tell you that –’

‘Good God! You again, Massigher!’ snapped Maria Gron, without letting him finish the sentence. ‘All because of a bit of water on the floor! Ettore will wipe it up in a minute. These wretched windows let in water all the time, we must have the fastenings seen to!’

But Ettore did not appear, nor did any other of the numerous staff of servants. There was a sudden feeling of oppression and hostility abroad in the night. Meanwhile the mysterious splashes had developed into an almost continuous roar, as if barrels were being rolled around in the foundations, so that even the sound of the pouring rain outside was barely audible.

‘Signora!’ shouted Massigher suddenly, jumping to his feet determinedly. ‘Signora, where has Giorgina gone? Let me go and call her!’

‘What now, Massigher?’ Maria Gron’s face still expressed coldly polite amazement. ‘You are all terribly nervous this evening. What do you want Giorgina for? You don’t actually wish to wake her up, I trust?’

‘Wake her up!’ the young man retorted, almost mocking. ‘Wake her up! There you go again!’

From the passage hidden behind the curtain, as from an icy cave, there came a sudden violent gust of wind. The curtain billowed like a sail and twisted around itself to allow the lights of the room to shine beyond it and reflect in the pool of water on the floor.

‘Fedri, run and close it quickly,’ cursed his father. ‘Good Lord, call the servants!’

But the boy seemed almost amused by this unusual turn of events. He ran across the dark hall shouting: ‘Ettore! Ettore! Berto! Sofia!’ but his shouts were lost unanswered in the empty corridors.

‘Papà!’ he called suddenly. ‘There’s no light out here. I can’t see a thing … Oh God, what’s happened?’

Back in the room all had risen to their feet, alarmed by his sudden call. Suddenly, inexplicably, water seemed to be pouring through the whole house. The wind blew fiercely through it as though there were holes in the walls, shaking the lamps, scattering cards and papers, upsetting flowers.

Fedri reappeared, looking as white as a sheet and trembling slightly. ‘Good God,’ he kept saying mechanically. ‘Good God, how awful.’

Did he still need to explain that the river had burst its banks and was right here, below the house and was pouring past, implacable and uncaring? That the walls on that side of the house were about to collapse? That the servants had all vanished into the night and that soon no doubt there would be no light at all? His white face, his panicked shouts (he who was usually so elegant and self-confident), the frightful roar welling up from the bottomless abyss beneath them – was not all this sufficient explanation?

‘We must leave immediately, my car’s out there, it would be mad not to …’ Martora was saying, he being the only one who had retained any semblance of calm. At this point Giorgina reappeared, wrapped in a thick coat, accompanied by Massigher; she was sobbing a little, though quite decorously, almost without making a sound. Her father began searching around in the drawer containing his important papers.