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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

One took place in the museum. When she was a little girl, the lady had visited a sculpture museum and had been quite taken by a statue of a male nude that didn’t have the customary fig leaf over its sex. But the reason for her astonishment, and the mild discomfort she felt, wasn’t because she’d seen what was usually hidden, but rather because it looked so small and slender compared to figure’s stature. At the time, her knowledge of the subject was rather vague, and she wasn’t precocious by nature. The matter had upset her unconsciously, and she had ended up forgetting the whole episode.

In the dream, the statue appeared to her at night, in a garden that was very dense and dark. It was extremely tall, and the head was lost in the shadows. The lady recognized the statue, and once again felt that same discomfort, though it was much stronger and more distressing. Her gaze hastened to the place that had upset her, but there was no trace of what she’d glimpsed back then. There was only the customary fig leaf. The lady knew it was the man in the hotel.

In another dream, the man turned up in an even more obvious manner. The whole town was on fire, and a terrified crowd was fleeing to the mountains. The lady tarried because she was looking for someone. At this point the gentleman entered the scene. He moved with long, slow strides, even though he was running. He ran fluidly, like someone filmed in slow-motion. The lady immediately recognized the gentleman’s legs, and their strange movements didn’t surprise her because she was used to observing the gentleman when he got up from the table. She’d noticed that he had long, agile legs, like a boy, but that his stride was slow and pliant, almost springing at the knees. The embarrassing thing was that the gentleman was wearing a flowing white nightshirt, the kind the lady had never seen, other than perhaps in some silent comedy from her childhood. All of a sudden, the lady knew she was dreaming, and she took advantage of this to satisfy her curiosity. She approached the gentleman and extended her hand, with the intention of lifting up the flowing gown, but just as she did this she woke up; or at least, that was the part of the dream she remembered.

There was a second conversation. The gentleman said he was waiting for a friend to arrive, to go up the glacier. This conversation was also very brief, but it didn’t end like the earlier one, because the gentleman didn’t leave. Instead something else happened.

The lady and the gentleman were seated across from each other, close to their usual window. All of a sudden, even before finishing his cigarette, the gentleman leaned his head against the window jamb and closed his eyes. The lady wasn’t offended, but she felt her heart clench in a brief burst of anguish. She looked at the gentleman’s face, nobly agitated even in sleep, and felt like crying. Then she turned towards the mountain, where the familiar fields of rye rippled in the wind like small lakes in a storm.