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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Such was the origin of every form, whether living today or extinct: dragons and chameleons, chimeras and harpies, crocodiles and minotaurs, elephants and giants, whose petrified bones are still found today, to our amazement, in the heart of the mountains. And so it was for the centaurs themselves, since in this festival of origins, in this panspermia, the few survivors of the human family had also taken part.

Notably, Cam, the profligate son, took part: the first generation of centaurs originated in his wild passion for a Thessalian horse. From the beginning, their progeny were noble and strong, preserving the best of both human nature and equine. They were at once wise and courageous, generous and shrewd, good at hunting and at singing, at waging war and at observing the heavens. It seemed, in fact, as happens with the most felicitous unions, that the virtues of the parents were magnified in their progeny, since, at least in the beginning, they were more powerful and faster racers than their Thessalian mothers, and a good deal wiser and more cunning than black Cam and their other human fathers. This would also explain, according to some, their longevity; though others have instead attributed this to their eating habits, which I will come to in a moment. Or it could simply be a projection across time of their great vitality, and this I, too, believe resolutely (and the story I am about to tell attests to it): that in hereditary terms the herbivore power of the horse does not count as much as the red blindness of the bloody and forbidden spasm, the moment of human-feral fullness in which they were conceived.

Whatever we may think of this, anyone who has carefully considered the centaurs’ classical traditions cannot help noticing that centauresses are never mentioned. As I learned from Trachi, they do not in fact exist.

The man–mare union, today, moreover, fertile only in rare cases, produces and only ever has produced male centaurs, for which there must be a fundamental reason, though at present it eludes us. As for the inverse of the unions, between stallions and women, these occur very rarely at any point in time, and furthermore come about through the solicitation of dissolute women, who by nature are not particularly inclined to procreate.

In the exceptional cases in which fertilization is successful in these very rare unions, a female bi-part offspring is produced: her two natures, however, inversely assembled. The creatures have the head, neck and front feet of a horse, but their back and stomach are those of a human female, and the hind legs are human.

During his long life Trachi encountered very few of them, and he assured me that he felt no attraction to these squalid monsters. They are not ‘proud and nimble’, but insufficiently vital; they are infertile, idle and transient; they do not become familiar with man or learn to obey his commands, but live miserably in the densest forests, not in herds but in rural solitude. They feed on grass and berries, and when they are surprised by a man they have the curious habit of always presenting themselves to him head first, as if embarrassed by their human half.