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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

I stopped in astonishment. I had the impression I hadn’t said exactly what I was thinking. Was that really how I was? No, of course not. I reflected: how to recover my fondness for all living creatures, of which Giovanni was surely one? I immediately gave him a smile, making a huge effort to mend my ways and to excuse him and love him. But he kept me from doing so, as he paid my benevolent smile no heed whatsoever and, as if resigning himself to the observation of a monstrosity, said:

‘Well, in practice, all Socialists end up resorting to the hangman.’

He had defeated me, but I hated him. He perverted my entire life, even the part of it preceding the doctor’s intervention, a part I looked back on as highly luminous. He had defeated me because he had revealed the very doubt that had assailed me terribly even before his words.

Another punishment awaited me immediately thereafter.

‘He looks well,’ my sister had said, looking at me with satisfaction, and it was an infelicitous phrase, because my wife, as soon as she heard it, foresaw the possibility that the excessive wellbeing that was colouring my face would degenerate into a proportionally great illness. She was as frightened as if she had been warned of imminent danger just then and turned fiercely on me:

‘Enough, enough!’ she shouted. ‘Put that glass away.’

She appealed for help from the man next to me, one Alberi, who, slender, dry and healthy but, like Giovanni, bespectacled, was one of the tallest men in the city.

‘Be so kind as to take that glass from his hand.’

And since Alberi hesitated, she got emotional, agitated:

‘Signor Alberi, please. Take that glass from him.’

I wanted to laugh; that is, I sensed that a well-mannered person would do well to laugh then, but it was impossible for me. I had readied my rebellion for the next day and it wasn’t my fault if it broke out right away. Those public rebukes were really insulting. Alberi, who didn’t give a fig for me, my wife and all those people who were giving him food and drink, aggravated my situation, making it ridiculous. He looked over his glasses at the glass I had in my grip, moved his hands over as if he were going to take it from me, and ended up pulling them back with a quick jerk, as if he were afraid of me for looking at him. Everybody was laughing at me behind my back, Giovanni with a shouted laugh of his that caused him to get out of breath.

My daughter Emma thought her mother needed her help. With a tone that struck me as excessively imploring, she said:

‘Papà, stop drinking.’

And it was on that innocent creature that I poured my wrath. I said to her a harsh and threatening word dictated by an old man’s and a father’s resentment. Her eyes immediately filled with tears, and her mother stopped concerning herself with me to concentrate entirely on comforting her.