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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Luciano Bianciardi

1922–71

In 1949, Bianciardi, a recent graduate from the Scuola Normale Superiore of Pisa who had written a thesis on John Dewey and was teaching in a high school, launched something called a ‘Bibliobus’: a library on wheels. It was an act of cultural reconstruction and unification that promoted literature as a vehicle for social change, at a time when illiteracy rates in Italy were still remarkably high. Bianciardi didn’t have a licence, so the bus was driven by his friend Cassola who, like Bianciardi, was raised in the Maremma. Among the circulating volumes were works by Shakespeare, Conrad, Steinbeck, Dostoevsky, Moravia and Hemingway (the latter two were the bestselling authors at that time). The Bible, the Koran and various agricultural manuals were also available. Bianciardi, a translator of Henry Miller and Jack Kerouac, remained an activist-intellectual throughout his life. He was wary of cities, opposed to industrialization and consumer culture. In 1954 he moved to Milan to work as an editor at Feltrinelli. The experience alienated him utterly but inspired his most successful work, a novel called La vita agra (published in English as It’s a Hard Life). It is a bilious portrait of that city’s bohemian intelligentsia. The original title of ‘The Streetwalker’, also set in Milan, is ‘Il Peripatetico’, the title story of a posthumous 1976 collection that gathered together, for the first time, various short stories previously published in newspapers, magazines and assorted anthologies. The title alludes to the Ancient Greek school of philosophy, but the title in Italian has a double meaning: a ‘peripatetica’ is also a term for a prostitute. One key to appreciating the story is knowing about the Merlin Law of 1958, which made brothels illegal in Italy. Bianciardi died of complications from alcohol. His final novel, Garibaldi – a fictional portrait intended to render Italy’s legendary general more ‘human’ – was published a year after his death.

The Streetwalker

Translated by Ann Goldstein

When I can, I make a small financial contribution to the friends of family planning. It’s unsung, deserving work, which should be encouraged. Dr Trabattoni and the others have nothing to gain, in a country like ours, and everything to lose. And yet there they are, and for a laughable fee one can always simply walk into their clinics, where they give advice and medical assistance. Of course, you’d need very different means, and very different advertising, to properly solve the problem of birth control.

In Italy today – or, rather, in that tiny fraction of Italy that knows about and practises birth control – there are basically three methods of contraception. The physiological method, also called the rhythm method, or, popularly, the Ogino-Knaus rule (from the names of the two scientists, a Japanese and a German, who discovered it). Once you’ve established that the woman has phases of fertility and phases of sterility every month, you try to distinguish the cyclical start of the former and abstain from sexual relations until it’s over.

It’s a method that even the ecclesiastical authorities tolerate (without, naturally, wanting excessive publicity about it), and it’s also, in theory, the healthiest. In theory: in practice, ovulation (as in fact the ‘fertile period’ is called) varies greatly from person to person and is influenced by both external and internal factors – for example, by the change of seasons, body temperature, even mood – and nothing prohibits it from occurring not once, but twice in the same month.