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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

He felt that those feathered bodies were genuinely imbued with air and countryside and the different hours of the day: add to this aesthetic reason a sentimental one: for a long time, in his childhood devoid of siblings and friends, Odone had played with a hen. His mother had bought it to kill and eat; but Odone had cried and begged so much that Signora Rachele had finally agreed to keep it alive and let it roam freely about the house, like a dog. From that day on, as well as sucking its warm eggs, the boy had company; and even his mother ended up enjoying watching the way the bird leapt against the glass door of the kitchen, where it was shut in on the rare occasions that she had visitors; and when, sweaty and panting, she came back from the market carrying her shopping basket, Cò-Cò (as mother and son had agreed to call the hen) would run to meet her, beak open, wings outspread and fluttering. ‘And they say hens are stupid,’ Signora Rachele would say admiringly. But often she would become irritated, seeing her son talking to a fowl as if it were a person: that struck her as almost a sign of idiocy. For Odone, on the other hand, the hours he spent with the hen were truly his, he would make the bird ‘sit’ (perch) next to him on the steps leading from the kitchen to the dining room, brick steps that turned strangely red in the sunset and reminded him of those of ante-purgatory, as he had seen them depicted in a sacred image; he would clasp the hen to his heart so tightly that it shrieked, thinking with joy that he had so much time ahead of him to live and enjoy in this world (and then he would still have eternity); he would talk to Cò-Cò of journeys and adventures, of joys to come, of everything, in short, that went through his head. But after two years of domestic seclusion and excessively tasty and warming food, the heart of this strange companion of a sacrificed, ecstatic childhood burst (according to a female neighbour who knew about such things) – burst from being too fat (it looked like an odalisque); in short, it died, and was buried by its friend. Odone would have liked another immediately; a wish his mother absolutely refused to grant: he was already too old for that kind of diversion: his stamp album and an occasional stroll with her were – had to be – sufficient recreation. But a wish ungranted is a wish protracted; and Odone recalled it now as he stood looking at these cages of poultry with his first wages in his pocket. There was one animal in particular that he liked: a really beautiful specimen, with a tiny expressive head, shiny black plumage and a long arched tail, which reminded Odone of the feathers on the caps of the Italian Bersaglieri. He asked the price, at first more out of curiosity than with the firm intention of acquiring it (God knows how much he thought it cost); and the poultry merchant, surprised because this customer was not the usual sex and age, answered rudely, and as if certain of taking his breath away: ‘Three Kronen and fifty heller.’