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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

But the bride spoke. Without any ferocity, as if it were the most natural thing in the world, she said: ‘Uncle, the chest is for you.’

I had to fight for my life on my own. This, too, I divined. I had the feeling of being able to make a huge effort without anyone’s noticing it. Just as I had earlier sensed in myself an organ that enabled me to win over my judge without speaking, so I discovered within me another organ – what it was I don’t know – with which to fight without moving and thus to attack my unthreatened adversaries. And the effort paid off right away. Here was Giovanni, fat Giovanni, sitting in the bright glass chest on a wooden stool similar to mine and in the same position as me. He was hunched over, the chest being too low, and had his glasses in his hands so they wouldn’t fall off his nose. But that way he sort of looked as if he were working on a deal and had taken off his glasses to think better without seeing anything. And, in fact, although he was sweaty and out of breath, instead of thinking about his coming death, he was full of malice, as you could tell from his eyes, in which I caught sight of the same effort I had made shortly before. So, because I feared him, I was unable to take pity on him.

Giovanni’s effort paid off as well. Shortly thereafter, Alberi, the tall, slender and healthy Alberi, was in his spot in the chest, in the same position as Giovanni had been in but made worse by the size of his body. He was altogether bent double and would really have aroused compassion in me had there not also been in him, in addition to agitation, great malice. He was looking me up and down, with an evil smile, knowing that not dying in that chest depended on him alone.

From on top of the chest, the bride spoke again: ‘Now it’s your turn, of course, Uncle.’ She stressed each syllable with great pedantry. And her words were accompanied by another sound, very distant, very much from on high. From that long-lasting sound, let out by a person moving quickly away, I could tell that the cave ended in a steep corridor that led to the surface of the earth. It was a single hiss, but a hiss of approval, and it was coming from Anna, who was once again showing her hatred for me. She didn’t have the courage to put it in words, because I had in fact convinced her she had wronged me more than I had wronged her. But when it comes to hatred conviction counts for nothing.

I was condemned by everybody. A long way from me, somewhere in the cave, waiting, my wife and the doctor were pacing back and forth, and I sensed that my wife had a resentful appearance. She was moving her hands energetically, reciting my wrongs. Wine, food and my brusque manners with her and with my daughter.