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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘So little?’ Odone exclaimed. The other man looked at him more offended than astonished, and more than ever convinced that he was being made fun of by a brat. Then, realizing that the latter was serious, he opened the cage, took out the bird and breathed into its feathers to show off how fat it was, how appetizing the colour of the meat.

‘Enough, enough!’ Odone exclaimed, pained by the shrill cries the victim was emitting and the efforts it was making to hold its head up and not die of suffocation. ‘I’ll buy her,’ he said, ‘if you can send her to my house right away.’

‘Right away,’ the awful man replied; he called the boy who worked for him and handed him the fowl, holding it by the legs. Odone paid, gave his address, plus twenty heller as a tip for the boy, and instructed the latter to give his name to whoever opened the door. Then he looked at his watch. It was almost a quarter past two, and he hurried back to the office, trying to persuade himself that he had spent his own money well. With that aim in mind, he exaggerated to himself the joy he would feel when he got home and found Cò-Cò reborn. But the more he tried to dismiss the thought, the more afflicted he was by the suspicion that he had done something pointless, if not actually ridiculous. Cò-Cò had died once and for all, he felt, and could not be replaced by all the hens in the world; his childhood had also died, and it was a foolish thing to want to bring its sweet aspects back to life other than in memory; his mother’s hair had already turned completely white, she grew tired ever more quickly, and she might die before she could enjoy the affluence that he, Odone, had promised her; he had done the wrong thing in leaving school for work; an error had been committed in his life, he could not say what or when, a mistake, a sin that distressed his heart more every day, one that he believed was his alone, not yet knowing (as he was to know only too well later) that such pain was the pain of man, of any creature living as an individual; it was the pain that religion calls original sin.

Outside the warehouse, Odone found the day labourers waiting for him with a consignment of oranges in crates, and he forgot himself easily in the task of labelling and supervision; then he wrote out some invoices; he transcribed into fine commercial handwriting a long letter of which the boss had given him a rough draft; he went to run an errand on the other side of the city; returned with the reply, and had to go out again to the Adria shipping company to pay a bill for shipment; he washed the canvas sheets and put the letters in the press; finally, he helped the caretaker to close up. He ought also to have hurried to the central post office to make sure the correspondence should leave within the day, but that evening, as soon as he was out of sight of the boss, he threw it into an ordinary letterbox (the first he found); and he arrived home almost at a run. His mother, who had been waiting for him at the window, opened the door without asking: ‘Who is it?’ She took his hat from his hand, handed him his spare jacket and then said with a smile: