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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

My first impulse was to write home and beg my father and mother to send me to study in another city. But how could I explain my punishment? I would not have been understood; in fact, they would have scolded me. They were making sacrifices to support me at school. I decided to put up with everything. On my return to school after the suspension, the offences against G. and me multiplied. Summer was approaching, however, and with summer, vacation would come. At home I would think about what to do the following year; perhaps I would abandon my studies and find a job. But just then the worst trouble befell me.

One Sunday morning, having left my pensione early to enjoy the bright colours of late spring, I saw the walls plastered with vivid posters and groups of people lingering to admire them. The three figures that stood out in the posters immediately made me turn up my nose: a bull, his head lowered as if in the act of hurling himself into the street; a slender colt pawing the ground; and a herdsman who was looking at the two animals with contemptuous self-confidence. I drew closer. The posters announced that next Sunday, in a field near the hippodrome, for the first time in a city, the horsemen of the Maremma would perform in thrilling feats of derring-do.

I had never been in the Maremma, nor had I ever seen the herdsmen except in photographs. A better occasion to laugh at them could not have been offered to me. Besides, I liked immensely the place where the event would take place. As the river leaves the city, it withdraws into the countryside through bizarre bends, finally free of the houses and bridges. Between the right riverbank and a row of hills lie some very beautiful parks with wooden cafés and enormous trees; there are also pretty green meadows surrounded by well-kept boxwood hedges, which suddenly open up amid the trees. I liked the green meadows and hedges even more than the riverbank, and on the afternoons when I did not have class, I would never miss going to visit them. I would sit at the borders, next to the hedges, and from there observe the low, tender grass, which filled my soul with joy.

‘I shall go there Sunday,’ I decided, and at noon, on my return to the pensione, I invited my mess-mates, the goalie I had injured in the football match and two students in my high school to go to the performance with me.

‘We’ve already seen the posters,’ said the goalie. ‘We’ll come to admire your teachers.’ The others also accepted and on the appointed day we walked to the site of the performance. I was not expecting the huge crowd, drawn there, I thought, more by the splendid day than by the herdsmen and their animals. There were beautiful ladies and girls, just like at the races. I had already begun looking at the women who went strolling near the hippodrome on Sundays. Following the crowd we entered a field, where on one side several stands had been constructed. I suddenly realized that I was no longer with my mates; perhaps the throng had separated us. I found a place to sit.