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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘Where?’ I whispered.

‘Over there,’ said the guard. ‘Sitting on the bench.’

The leaves rustled as he said these words; a woman stood up in the dark and started to walk on the gravel. On hearing her footsteps, I closed my eyes.

‘So she had come after all, had she?’ said the guard.

Without answering, I followed after the woman.

‘We’re closing!’ the guard shouted. ‘We’re closing!’

Shouting ‘We’re closing’, he disappeared amongst the trees.

I followed the woman out of the garden and through the streets of the city.

I followed after what had been the sound of her steps on gravel. Or you might say, rather, that I was guided by the memory of her footsteps. And it turned out to be a long walk, a long pursuit, now amidst the crowd, now along deserted pavements until, raising my eyes, I saw her for the first time, a passer-by, by the light of the last shop.

What I saw, actually, was her hair. Nothing else. And fearing that I would lose her, I started to run.

The city in these parts alternated between meadows and tall houses, dimly lit parks and lit-up funfairs, with the red eye of the gasworks in the background. Many times I asked: ‘Did she come this way?’

Everyone told me that they didn’t know.

But a mocking child came up, quickly, on roller-skates, and laughed.

‘Haah!’ she laughed. ‘I bet you’re looking for my sister.’

‘Your sister?’ I exclaimed. ‘What’s her name?’

‘I’m not telling you,’ the girl replied.

And again she laughed, doing a dance of death around me on her roller-skates.

‘Haah!’ she laughed.

‘Then tell me where she is,’ I said.

‘Haah!’ laughed the girl. ‘She’s in a doorway.’

She skated her dance of death around me again for a moment, then sped off up the endless avenue, laughing.

‘She’s in a doorway,’ she called back from afar, still laughing.

The doorways were all occupied by abject couples, but I arrived at one that was abandoned and empty. The door opened when I pushed it. I went up the stairs and began to hear someone crying.

‘Is it her crying?’ I asked the concierge.

This old woman was sitting asleep, halfway up the stairs with her rags in her hand – and she woke up and looked at me.

‘I don’t know,’ she replied. ‘Do you want the lift?’

I did not want it, I wanted to go to where the crying was, and I continued to climb the stairs between the black, wide-open windows. I finally came to where the crying was, behind a white door. I went in, felt her close to me and turned on the light.

But I saw no one in the room, and heard nothing more. And yet there, on the sofa, was the handkerchief, damp with her tears.

‘Nome e lagrime’

First published in the magazine Corrente (31 October 1939). It then became the title of Vittorini’s first novel, published by Parenti in 1941, and then, the same year, by Bompiani as Conversazione in Sicilia.