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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

I’d barely managed to close the drawer with the bottle of disinfectant in it before something else happened, perhaps just what I’d been fearing and anticipating in the back of my mind. I heard the bustle of footsteps behind me, and the thud of that muffled stride: I saw the door open, and mother and son tumbling out, this time with the intelligence and accord that had already struck me when I’d observed the little boy next to his mother. They formed a single being. The little one must have been perfectly trained to make such an exit. I noticed, in a flash, that a silver vase that used to stand on a piece of furniture was missing. I’d thought about it all the while, mixed up with all my other thoughts. I moved towards the door and heard it close, violently. I stepped outside.

The two of them were already on the stairs. I caught up to them on the landing of the first floor; they were incredibly fast. I found them among the shadows. This time the boy was perfectly silent. I plunged my hands towards them and felt two lips graze me. Now I saw that feminine face – above me, since she was taller – with a new expression, smiling and frighteningly secure. During that temptation, I wavered, once again envisioning vast spaces that gave on to to the prison of urban life: dangerous streets, dark stairwells, secret rooms guarded by some old woman, hoary and slow, with the voice of a ready accomplice. But at the same time, under those alluring eyes that fixed me like an asp, I was unable to look away. And as I felt, under my grip, two arms that had surrendered but remained strong, the doors to the apartments on the landing opened. Still holding her (and later I was told that my position was somewhat strange), I said:

‘She’s a thief.’

The face above me clouded over. And then I saw another expression take possession of it, blooming once more like a distinct, stagnant shape on the surface of a suddenly agitated lake. Various voices were heard: ‘Ah, you finally caught her!’ ‘Search her. She must have my purse, my lipstick, too. I can spot the lipstick right away, I bought it in Zurich.’ ‘Ah, it’s her!’ She was passed from one person to another. With her pilgrim’s gait I saw her on the street, growing distant, in the grips of the porter and an officer.

I’d forgotten, in the hubbub, about my silver vase. When I was summoned by the judge, who gave the stolen item back to me, I told him I didn’t want any harm to come to the woman. But I was told they’d been looking for her for a long time, and they thanked me for having brought her to justice. ‘Anyway,’ they added, ‘you can’t call a woman a thief without wanting to harm her.’ She followed me, with her dangerous eyes, as I went out, watching me all the way up to the door. She understood men. She knew how vain we were. She didn’t quit her act, even under those circumstances. As for me, I hope I never see her again. Men, as everyone knows, are tempted by mystery and deceit, riddles to solve and explain. But what mystery? Someone might say: we’re talking about a thief. True, but why does such a beautiful woman become a thief? To stay honest?