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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

A car passed. ‘It looks like a seicento.’ Then another, looking like a millecento, and then another. ‘They keep cars like ours for amusement; they buy them for their kids like people back home buy bicycles for theirs.’ Two deafening motorbikes passed, one chasing the other. It was the police, they couldn’t afford to make any mistakes – thank goodness that they’d stayed off the road.

And there, finally, were the signs. They looked along the road in both directions, stepped on to it and went near enough to them to read: Santa Croce Camarina/Scoglitti.

‘Santa Croce Camarina: I’ve heard of the place before.’

‘It sounds familiar to me too; and even Scoglitti rings a bell.’

‘Maybe one of our relatives lived there – perhaps it was my uncle, before he moved to Philadelphia. If I remember rightly he was living in a different city before Philadelphia.’

‘My brother also lived some place before heading for Brucchilin … But I really can’t remember what it was called. And anyway, we’re saying ‘Santa Croce’, we’re saying ‘Scoglitti’, but we’ve no idea how they pronounce these words here: American isn’t pronounced like it’s written.’

‘That’s true, and the great thing about Italian is just that: it sounds exactly like it’s written … But we can’t spend the night out here, we’ve got to take a risk. The next car that passes, I’m stopping. I’ll just say ‘Trenton?’ … People are more polite here … Even if we don’t understand what they’re saying they’re bound to point, to give a sign, and that way we’ll work out where to find this blasted Trenton.’

Around the curve, twenty metres away, a cinquecento emerged: the driver saw them dart out with their arms raised, waving for him to stop. He slammed on the brakes, cursing: he didn’t think it could be a hold-up in an area as quiet as this, and opened the door thinking that they wanted a lift.

‘Trenton?’ one of them asked.

‘Che?’ asked the driver.

‘Trenton?’

‘What effing Trenton are you on about!’ the driver exclaimed, cursing.

‘He speaks Italian,’ they both said, looking at each other to see what to do next: if perhaps the time had come to reveal their situation to a fellow countryman.

The driver shut the door and switched the engine back on. The car jerked forwards: and only then did he shout out to the two men standing in the road like statues, ‘Drunkards, drunken cuckolds, cuckolds and sons of—’ The rest was drowned out as he accelerated away.

There was a protracted silence.

‘Now I remember,’ said the one, a moment later, who’d thought the name Santa Croce sounded familiar, ‘my father went to Santa Croce Camarina one year when things had gone badly in our region. He went there for the harvesting.’

Then they flung themselves down as if they had been knocked into the ditch at the side of the road. There was no hurry, after all, to deliver the news to the others that they had disembarked in Sicily.