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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Our relations would have remained on this plane of latent hostility if not for a happy accident. Usually I left the office with five or six daily papers, including, on one occasion, the Giornale di Sicilia. Those were the years when the Fascist Ministry of Popular Culture, or MinCulPop, was at its most virulent, and every newspaper was just like all the others; that edition of the Palermo daily was as banal as ever, indistinguishable from a paper published in Milan or Rome, if not by its greater share of typographical errors. My reading of it was accordingly brief, and I soon set it aside on the table. I had already begun to contemplate another product of MinCulPop’s vigilance when my neighbour addressed me: ‘Pardon me, sir, would you mind if I glanced at this Giornale di Sicilia of yours? I’m Sicilian, and it’s been twenty years since I came across a newspaper from my part of the world.’ His voice was as cultivated as any I’d ever heard, the accent impeccable; his grey eyes regarded me with profound indifference.

‘Be my guest. I’m Sicilian myself, you know. If you like, I can easily bring the paper every evening.’

‘Thank you, but that won’t be necessary; my curiosity is a purely physical one. If Sicily remains as it was in my time, I imagine nothing good ever happens there. Nothing has for the past three thousand years.’

He glanced through the paper, folded it, and gave it back to me, then plunged into reading a pamphlet. When he stood to go, it was clear that he hoped to slip out unnoticed, but I rose to introduce myself; he quietly muttered his name, which I failed to catch, yet neglected to extend his hand. At the threshold of the café, however, he turned, doffed his hat, and loudly shouted, ‘Farewell, fellow countryman.’ He disappeared down the arcade, leaving me speechless while the shades at their games grumbled disapprovingly.

I performed the magical rites necessary to conjure a waiter; pointing at the empty table, I asked him, ‘Who was that gentleman?’

‘That,’ he replied, ‘is Senator Rosario La Ciura.’

The name said a great deal even to an ignorant journalist. It belonged to one of the five or six Italians with an indisputable international reputation – to the most illustrious Hellenist of our time, in fact. I understood the thick magazines and the caressing of the illustration, the unsociability and hidden refinement, too.