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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

The situation had reached such a point that if a word, or even a syllable, had escaped unwittingly or by mistake in Benedetto Vai’s home, it would have been tantamount to an apocalyptic event: the end of an epoch, the collapse of an entire world.

Outside of his domestic shell, Benedetto Vai adopted such extreme reserve that no one would have dared to approach him with a greeting, or any other word for that matter; and if on occasion some inconsiderate or ignorant soul did so, he would squeeze his lips together and widen his large blue eyes to fix the culprit with such a look as to induce them to lower their gaze and seal their lips. And if by chance anyone should happen to ask him for directions in the street, they would surely conclude that they had spoken to a deaf person.

Leonia, too, would play her part. If someone stopped and looked as if he was about to say something, she would raise an index finger in a solemn gesture and place it over her lips, like a bar across her mouth and face.

Nor should we assume that she had ended up going to such lengths easily, though we choose not to pursue here the intimate reasons behind her willing acceptance of what, for a woman, was a most inhuman sacrifice. She had met her master when he was young and handsome. And Benedetto Vai had been an exceptionally handsome young man, with his blond hair and big eyes that seemed to mirror the sky. Now he was a distinguished elderly gent: tall, slim, with an athletic, straight-backed body and eyes that were still like those of a child. She was unacquainted with any echo of the voice he had kept locked within himself, and his irascibility had fascinated her from the start. To have followed him to the very limit of his desperate plan was an act of extraordinary devotion to duty – as well as, subconsciously, an act of passionate love.

On one occasion, to force him to speak, she had added four times the usual amount of salt to his soup. As soon as he raised the spoon to his lips, he returned the bowl to her with such a heartfelt look that she bitterly regretted what she’d done. Another time, to force him to utter something – even a scream – she had stuck a needle in the seat of his chair. Once again the look that the master gave – so pure and doleful, though not on account of being pricked by a needle – caused her to lower her head, full of shame and remorse, to plead for his forgiveness. He seemed to understand the harshness of the trial this woman was being subjected to; he showed that he understood her and pitied her, and was on hand to support her through moments of weakness or doubt. Many were the times when, subjected to temptations like those which saints must endure, she was on the verge of breaking the spell; of giving, after so much constraint, free rein to a torrent of shouting, laughing and singing. She remembered an old rhyming proverb that fitted her case exactly, and would have justified such behaviour to the entire neighbourhood. Yet she was pleased, afterwards, to have conquered the urge. If it had been a woman demanding such a sacrifice from her, however, it was clear that Leonia’s tongue would have worked like a windmill, like the propeller of a plane.