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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

From that height, looking down at the river is like peering into a well, and at that juncture the river curves sharply to create a wide clear mirror reflecting the houses. Farther off, among the gently rising and expanding hills – neatly organized like the wings of a theatre – one sees other, milder curves where the water flows languidly and shimmers brightly. This is the town’s most beautiful view and so, long ago, there under the portico they had built the Malpasso Caffè, its large windows shutterless even in winter. The main street begins there, rounds a bend and culminates in a more sheltered piazza. The Malpasso’s clientele is always the same. The veterinarian, the pharmacist and the bailiff frequent the Malpasso, while the doctor, the captain and the lawyer all go to the Theatre Caffè.

The old fellow was considered one of the newest customers, even if he had been coming to the Malpasso every day at the same time for two years now, always sitting in the same spot by the window. The red velvet upholstery covering the seats along the walls was shabby, the planks in the wooden floor were loose, the mirrors foggy. But the town was beautiful and, in the spring, the mild sky was further softened by the clouds, while mists rising off the river drifted across the hills. In winter, the river froze between banks of hardened snow, and at night one heard the ice cracking.

Initially the old man was given a measured, if not actually hostile, welcome. No one knew where he had come from – a retired bureaucrat, but this became known only later. He lived behind the church and was somewhat bothered by the bells (however – and this is what the neighbours said – the bells drowned out the shrieks of an angry wife who used her bitter voice to yell incessantly). Instead, at the Malpasso he was happy; no wife, no bells. Contented, he licked his lips, leaving them a little moist. He stayed for as long as he could at the Malpasso, together with people who had increasingly shown themselves to be kind, talkative and polite. At certain times, when the young people came to play billiards and turned on the radio, it could get a bit boisterous. The elderly played interminable games of cards, dominoes and dice. Every day, the old man showed up looking as if he had run away from home, his wool scarf wrapped around his neck, his bowler hat pulled down to his ears. Having scooted along the walls in a near-sprint, he arrived completely out of breath and went to sit in his usual place, where he loved to look out at the river and hills. That landscape was a privilege. He always talked about it while gesturing with his hands, inserting a Latin phrase here and there. After a while everyone began to call him ‘The Professor’.

At the first hint of winter he put on an old coat with a red fur collar, yet he still managed to come down with a cough that lasted for weeks. Whenever he was overcome by a coughing fit, he shook like a twig, then dried his eyes on a handkerchief before having a glass of steaming grog. He was happy at the Malpasso. The young veterinarian, who had taken a shine to the old man, gave him a prescription, and the others, laid-back and light-hearted, had teased him: ‘How well you take care of him. Isn’t it animals you look after?’