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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

I started off enthusiastically, as I always do. Cilia’s education consisted of a few back numbers of serial novels, the news in the daily papers, and a hard, precocious experience of life itself. What was I to teach her? She very much wanted to learn French and indeed, heaven knows how, she managed to piece together scraps of it by searching through my dictionaries when she was left alone at home. But I aspired to something better than that and wanted to teach her to read properly, to appreciate the finest books. I kept a few of them – my treasures – on the little table. I tried to explain to her the finer points of novels and poems, and Cilia did her best to follow me. No one excels me in recognizing the beauty, the ‘rightness’ of a thought or a story, and explaining it in glowing terms. I put a great deal of effort into making her feel the freshness of ancient pages, the truth of sentiments expressed long before she and I were born, how varied, how glorious, life had been for so many many men at so many different periods. Cilia would listen with close attention, asking questions that I often found embarrassing. Sometimes as we strolled in the streets or sat eating our supper in silence, she would tell me in her candid voice of certain doubts she had, and once when I replied without conviction or with impatience – I don’t remember which – she burst out laughing.

I remember that my first present to her, as her husband, was a book, The Daughter of the Sea. I gave it to her a month after our wedding, when we started reading lessons. Until then I had not bought her anything – nothing for the house, no new clothes – because we were too poor. Cilia was delighted and made a new cover for the book, but she never read it.

Now and then, when we had managed to save enough, we went to a cinema, and there Cilia really enjoyed herself. An additional attraction, for her, was that she could snuggle up close to me, and now and then ask me for explanations that she could understand. She never let Amalia come to the cinema with us, though one day the poor girl asked if she could. She explained to me that we got to know each other best of all in a cinema, and in that blessed darkness we had to be alone together.

Amalia came to our place more and more often. This, and my well-deserved disappointments, soon made me first neglect our reading lessons, and finally stop them altogether. Then, if I was in a good mood, I amused myself by joking with the two girls, and Amalia lost a little of her shyness. One evening, as I came home very late from the college with my nerves on edge, she came and stared me full in the face, with a gleam of reproof and suspicion in her timid glance. I felt more disgusted than ever by the frightful scar on her face, and spitefully I tried to make out what her features had been before they were destroyed. I remarked to Cilia, when we were alone, that Amalia, as a child, must have been very like her.