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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Since I did not have any milk, a wet nurse was summoned from a nearby village. My sister and aunt left us and we went back to our old routine; I got up and went down to the garden and gradually took up my familiar old tasks again. But the house was transformed by the presence of the child; little white nappies hung in the garden and on the terraces, the velvet dress of the wet nurse swished through the corridors, and her singing echoed throughout the rooms. No longer a young woman, she was a rather fat and proud person who liked to talk a lot about the aristocratic houses where she had worked in the past. We had to buy her new embroidered aprons every month or pins for her handkerchief. When my husband came home I would go to meet him at the gate, and we would go up to Giorgio’s room together to watch him sleep; after this we would have dinner and I would tell him about how the wet nurse had bickered with Felicetta, and we would talk for a while about the baby, the coming winter, the supply of wood, and I would tell him about a novel I had read and what I thought about it. He would put his arm around my waist and stroke me while I rested my head on his shoulder. Truly the birth of the child had changed our relationship. Nonetheless, I still sometimes felt that there was something strained in our conversations and in his goodness and affection, although I couldn’t focus properly on the feeling. The child was growing up; he had started toddling and putting on weight, and I liked watching him, but at times I wondered if I really loved him. At times I didn’t feel like climbing the stairs to go to him. It seemed to me that he belonged to other people, to Felicetta or to the wet nurse maybe, but not to me.

One day I learned that Mariuccia’s father had died. My husband had said nothing about it to me. I took my coat and went out. It was snowing. The body had been taken away in the morning. Surrounded by their neighbours in their dark kitchen, Mariuccia and her mother held their heads in their hands, rocking back and forth and letting out shrill cries, as is the custom in the country when a close relative dies; the children, dressed in their best clothes, warmed their cold blue hands against the fire. When I went in, Mariuccia stared at me for a moment with her familiar look of amazement, lit up by a sudden animation. But she quickly recovered herself and began mourning again.

She now wore a black shawl when she walked around the village. Meeting her was still very difficult for me. I would return home unhappy: I could still see her dark eyes in front of me, those big white teeth which stuck out over her lips. But I hardly ever thought about her if we did not happen to meet.