Contents ( 92)
- Introduced, edited and with selected translations by Jhumpa Lahiri
- Contents
- About the Author
- A Note on the Citation of Titles and Their Translations
- Introduction
- Elio Vittorini
- Name and Tears
- Giovanni Verga
- Picturesque Lives
- Giuseppe Tomasi di Lampedusa
- The Siren
- Antonio Tabucchi
- Against Time
- Italo Svevo
- Generous Wine
- Leonardo Sciascia
- The Long Voyage
- Alberto Savinio
- Bago
- Umberto Saba
- The Hen
- Lalla Romano
- The Lady
- Fabrizia Ramondino
- The Tower
- Luigi Pirandello
- The Trap
- Cesare Pavese
- Wedding Trip
- Goffredo Parise
- Melancholy
- Aldo Palazzeschi
- Silence
- Anna Maria Ortese
- A Pair of Eyeglasses
- Alberto Moravia
- The Other Side of the Moon
- Elsa Morante
- The Ambitious Ones
- Giorgio Manganelli
- Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
- Primo Levi
- Quaestio de Centauris
- Tommaso Landolfi
- Gogol’s Wife
- Natalia Ginzburg
- My Husband
- Carlo Emilio Gadda
- The Mother
- Ennio Flaiano
- A Martian in Rome
- Beppe Fenoglio
- The Smell of Death
- Luce D’eramo
- Life as a Couple
- Antonio Delfini
- The Milliner
- Grazia Deledda
- The Hind
- Alba De Céspedes
- Invitation to Dinner
- Silvio D’arzo
- Elegy for Signora Nodier
- Fausta Cialente
- Malpasso
- Carlo Cassola
- At the Station
- Cristina Campo
- The Golden Nut
- Italo Calvino
- Dialogue with a Tortoise
- Dino Buzzati
- And Yet They Are Knocking at Your Door
- Massimo Bontempelli
- The Miraculous Beach, or, Prize for Modesty
- Romano Bilenchi
- A Geographical Error
- Luciano Bianciardi
- The Streetwalker
- Anna Banti
- Miss
- Giovanni Arpino
- The Baboon
- Corrado Alvaro
- Barefoot
- Notes
- Chronology
- Further Reading
- Acknowledgements
- Copyright Information
- About the Translators
- THE BEGINNING
‘I’ll go, Nunzia, don’t get worked up … In fact, going out will do me good.’
‘Mamma …’
Eugenia kissed her hand.
Around eight o’clock there was a great commotion in the courtyard. At that moment Rosa had come out of the doorway: a tall, lanky figure, in a short, stained black coat, without shoulder pads, that exposed her legs, like wooden sticks. Under her arm, she carried a shopping bag for the bread she would buy on her way home from the optician. Don Peppino was pushing the water out of the middle of the courtyard with a long-handled broom, a vain task because the tub was continually leaking, like an open vein. In it were the clothes of two families: the Greborio sisters, on the second floor, and the wife of Cavaliere Amodio, who had given birth two days earlier. The Greborios’ servant, Lina Tarallo, was beating the carpets on a balcony, making a terrible ruckus. The dust, mixed with garbage, descended gradually like a cloud on those poor people, but no one paid attention. Sharp screams and cries of complaint could be heard from the basement, where Aunt Nunzia was calling on all the saints as witnesses to confirm that she was unfortunate, and the cause of all this was Pasqualino, who wept and shouted like a condemned man because he wanted to go with his mamma. ‘Look at him, this scoundrel,’ cried Aunt Nunzia. ‘Madonna bella, do me a favour, let me die, but immediately, if you’re there, since in this life only thieves and whores thrive.’ Teresella, born the year the king went away and so younger than her brother, was sitting in the doorway, smiling, and every so often she licked a crust of bread she had found under a chair.
Eugenia was sitting on the step of another basement room, where Mariuccia the porter lived, looking at a section of a children’s comic, with lots of bright-coloured figures, which had fallen from the fourth floor. She held it right up to her face, because otherwise she couldn’t read the words. There was a small blue river in a vast meadow and a red boat going … going … who knows where. It was written in proper Italian, and so she didn’t understand much, but every so often, for no reason, she laughed.
‘So, today you’ll put on your glasses?’ said Mariuccia, looking out from behind her. Everyone in the courtyard knew, partly because Eugenia hadn’t resisted the temptation to talk about it, and partly because Aunt Nunzia had found it necessary to let it be understood that in that family she was spending her own … and well, in short …
‘Your aunt got them for you, eh?’ Mariuccia added, smiling good-humouredly. She was a small woman, almost a dwarf, with a face like a man’s, covered with whiskers. At the moment she was combing her long black hair, which came to her knees: one of the few features that showed she was a woman. She was combing it slowly, smiling with her sly but kind little mouse eyes.