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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘I’ll go, Nunzia, don’t get worked up … In fact, going out will do me good.’

‘Mamma …’

Eugenia kissed her hand.

Around eight o’clock there was a great commotion in the courtyard. At that moment Rosa had come out of the doorway: a tall, lanky figure, in a short, stained black coat, without shoulder pads, that exposed her legs, like wooden sticks. Under her arm, she carried a shopping bag for the bread she would buy on her way home from the optician. Don Peppino was pushing the water out of the middle of the courtyard with a long-handled broom, a vain task because the tub was continually leaking, like an open vein. In it were the clothes of two families: the Greborio sisters, on the second floor, and the wife of Cavaliere Amodio, who had given birth two days earlier. The Greborios’ servant, Lina Tarallo, was beating the carpets on a balcony, making a terrible ruckus. The dust, mixed with garbage, descended gradually like a cloud on those poor people, but no one paid attention. Sharp screams and cries of complaint could be heard from the basement, where Aunt Nunzia was calling on all the saints as witnesses to confirm that she was unfortunate, and the cause of all this was Pasqualino, who wept and shouted like a condemned man because he wanted to go with his mamma. ‘Look at him, this scoundrel,’ cried Aunt Nunzia. ‘Madonna bella, do me a favour, let me die, but immediately, if you’re there, since in this life only thieves and whores thrive.’ Teresella, born the year the king went away and so younger than her brother, was sitting in the doorway, smiling, and every so often she licked a crust of bread she had found under a chair.

Eugenia was sitting on the step of another basement room, where Mariuccia the porter lived, looking at a section of a children’s comic, with lots of bright-coloured figures, which had fallen from the fourth floor. She held it right up to her face, because otherwise she couldn’t read the words. There was a small blue river in a vast meadow and a red boat going … going … who knows where. It was written in proper Italian, and so she didn’t understand much, but every so often, for no reason, she laughed.

‘So, today you’ll put on your glasses?’ said Mariuccia, looking out from behind her. Everyone in the courtyard knew, partly because Eugenia hadn’t resisted the temptation to talk about it, and partly because Aunt Nunzia had found it necessary to let it be understood that in that family she was spending her own … and well, in short …

‘Your aunt got them for you, eh?’ Mariuccia added, smiling good-humouredly. She was a small woman, almost a dwarf, with a face like a man’s, covered with whiskers. At the moment she was combing her long black hair, which came to her knees: one of the few features that showed she was a woman. She was combing it slowly, smiling with her sly but kind little mouse eyes.