The Penguin Book of Italian Short Stories
Contents ( 92)
- Introduced, edited and with selected translations by Jhumpa Lahiri
- Contents
- About the Author
- A Note on the Citation of Titles and Their Translations
- Introduction
- Elio Vittorini
- Name and Tears
- Giovanni Verga
- Picturesque Lives
- Giuseppe Tomasi di Lampedusa
- The Siren
- Antonio Tabucchi
- Against Time
- Italo Svevo
- Generous Wine
- Leonardo Sciascia
- The Long Voyage
- Alberto Savinio
- Bago
- Umberto Saba
- The Hen
- Lalla Romano
- The Lady
- Fabrizia Ramondino
- The Tower
- Luigi Pirandello
- The Trap
- Cesare Pavese
- Wedding Trip
- Goffredo Parise
- Melancholy
- Aldo Palazzeschi
- Silence
- Anna Maria Ortese
- A Pair of Eyeglasses
- Alberto Moravia
- The Other Side of the Moon
- Elsa Morante
- The Ambitious Ones
- Giorgio Manganelli
- Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
- Primo Levi
- Quaestio de Centauris
- Tommaso Landolfi
- Gogol’s Wife
- Natalia Ginzburg
- My Husband
- Carlo Emilio Gadda
- The Mother
- Ennio Flaiano
- A Martian in Rome
- Beppe Fenoglio
- The Smell of Death
- Luce D’eramo
- Life as a Couple
- Antonio Delfini
- The Milliner
- Grazia Deledda
- The Hind
- Alba De Céspedes
- Invitation to Dinner
- Silvio D’arzo
- Elegy for Signora Nodier
- Fausta Cialente
- Malpasso
- Carlo Cassola
- At the Station
- Cristina Campo
- The Golden Nut
- Italo Calvino
- Dialogue with a Tortoise
- Dino Buzzati
- And Yet They Are Knocking at Your Door
- Massimo Bontempelli
- The Miraculous Beach, or, Prize for Modesty
- Romano Bilenchi
- A Geographical Error
- Luciano Bianciardi
- The Streetwalker
- Anna Banti
- Miss
- Giovanni Arpino
- The Baboon
- Corrado Alvaro
- Barefoot
- Notes
- Chronology
- Further Reading
- Acknowledgements
- Copyright Information
- About the Translators
- THE BEGINNING

Introduced, edited and with selected translations by
Jhumpa Lahiri
The Penguin Book of Italian Short Stories
Contents
About the Author
Jhumpa Lahiri is an award-winning author and translator. She received the Pulitzer Prize in 2000 for Interpreter of Maladies, her debut story collection, and was awarded a National Humanities Medal in 2015. Her other works of fiction in English include The Lowland, which was a finalist for the Man Booker prize.
Lahiri has written three books directly in Italian, including In altre parole (translated in English as In Other Words) and the novel Dove mi trovo. Her translation of Domenico Starnone’s Trick was a Finalist for the National Book Award. She divides her time between Rome and Princeton University, where she is a professor of Creative Writing and Literary Translation.
A Note on the Citation of Titles and Their Translations
Careful effort has been made to ascertain whether or not there are published English translations of Italian works included or cited in this volume.
When an Italian work has been published in English, its title appears in italics, as is common practice. When such a work has not been published in English, a literal translation of the title is given, and appears without italicization. When an Italian novel published in English has a very differently worded title to that of the original, a literal translation has also been provided. Titles of individual short stories are placed within quotation marks and unitalicized.
Introduction
Poiché dispongo di input ibridi, ho accettato volentieri e con curiosità la proposta di comporre anch’io un’ ‘antologia personale’, non nel senso borgesiano di auto-antologia, ma in quello di una raccolta, retrospettiva e in buona fede …
Always inclined to a hybrid input, I accepted willingly and with curiosity the proposal to compile a ‘personal anthology’, not in the Borgesian sense of an auto-anthology but in that of a harvesting, retrospectively and in good faith …
Primo Levi, La ricerca delle radici1
One evening in Rome, in the kitchen of the Italian writer Caterina Bonvicini, I expressed a desire to assemble a collection of Italian short stories translated into English. It was March of 2016, during a brief trip back to Italy. Six months before, my family and I had returned to the United States after living for three years in Rome.
My life as a reader had, by that time, taken an unexpected turn; since 2012, shortly before moving to Rome, I had chosen to read only Italian literature, mostly from the twentieth century, and to read those works exclusively in Italian, a language I had diligently studied for many years but had yet to master. I was forty-five years old, and I believed, even before this new phase began, that I was already fully formed as a reader and writer. And yet I surrendered to an inexplicable urge to distance myself, to immerse myself and to acquire a second literary formation.