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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

December 7 – Ercole Patti tells me that the Martian, invited to the Ciampino airport to welcome a movie star, was asked by the photographers to get out of the way. It seems, in fact, that his presence in a photograph may prevent their sale to magazines. ‘Hey, Mr Mars, will you move your ass?’ they said to him, laughing, but resolutely. And the Martian, sweet, smiling, without fully understanding what was being said to him, was shaking his head and his hands, waving hello.

December 18 – Vittorio Ivella and I, the other night, were speaking about Italy, when Ivella shared his hypothesis with me. I don’t know why it really amused me. He said: ‘But for what reasons would he have landed here of all places? I say he didn’t come on purpose, he fell here!’ The thought of the Martian forced to make an emergency landing, then behaving like a discoverer of new worlds, was, I repeat, very amusing to me. All night I did nothing but laugh thinking about it. Attilio Ricci claims, instead, that the Martian is a typical case of idolization of the unknown. He predicts that the Martian will end up lynched.

They also say, and I take notice of it as a matter of record, that the Martian has fallen in love with a ballerina, who plays hard to get, and speaks of him in despicable terms.

December 20 – Today for the first time I spoke with the Martian. I was in Fregene, and I recognized him immediately. He was walking along the sunny, but windy beach. He was watching the sea and stopping to pick up sea shells: some he put in his pocket. Since we were alone on the beach, he walked up to me to ask for a match. I pretended not to recognize him, so as not to offend him with my curiosity, and also because in that moment I wanted to be alone with my thoughts. It was he who told me, pointing a finger at his chest: ‘Me, Martian.’ I feigned surprise. Then the idea popped into my head that I should interview him. I intended to jot down an interview different from the rest, something a bit literary, if you know what I mean, to coax him into broader reflections than usual, which could have been justified by the proximity of the sea, if it’s true what Flaubert says that the sea inspires deep thoughts in the bourgeois. Then laziness stopped me. I should have asked questions, insisted, explained. No – I told myself – let’s content ourselves to watch him up close. His excessive height struck me in a bad way. He’s too tall, so much that he appears defenceless, like certain elderly men from the north who look younger than their real age, but who, in their childish smile, reveal an existence led without great pains and far from sin, or rather, totally uninteresting to my eyes. I invited him to get a drink. At the bar he asked for a whisky and, certainly to thank me, he placed a hand on my shoulder, smiling. For just a moment, a fleeting and slight impression, I was certain that he was unhappy.