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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘Are you feeling bad?’ my wife immediately asked.

Some time must have gone by before the response. But then I happened to notice that I was now clinging to the bed, not lying in it, and that it had become a steep slope I was sliding down.

‘I feel bad,’ I shouted, ‘very bad.’

My wife had lit a candle and was by my side in her pinkish nightgown. The light reassured me and in fact I had the clear feeling of having slept and of having awoken only then. The bed had straightened back out, and I was lying effortlessly in it. I looked at my wife in surprise, because now, since I had realized I had slept, I was no longer sure of having called for her help.

‘What do you want?’ I asked.

Sleepy, fatigued, she looked at me. My cry had been enough to have her leap out of bed, not to take from her desire for rest, next to which not even being right mattered to her any longer.

‘Do you want some of those drops the doctor prescribed for sleeping?’ she asked to hurry up and be done.

I hesitated, even though the desire to feel better was nearly overpowering.

‘If you like,’ I said, trying to appear only resigned. Taking drops is hardly tantamount to a confession of feeling bad.

Then there was an instant in which I enjoyed great peace. It lasted as long as my wife, in her pinkish nightgown, in the dim light of that candle, was by my side counting the drops. The bed was a real horizontal bed, and my eyelids, if I closed them, were enough to shut any light whatsoever out of my eyes. But I opened them now and then, and that light and the pink of that nightgown gave me as much relief as total darkness. But she didn’t want her help to last an instant longer, and I was dropped back into the night to struggle for peace on my own. I remembered that, as a youth, to bring on sleep more quickly, I would force myself to think of a dreadfully ugly old woman who would make me forget the beautiful visions that were obsessing me. Here it was then that now, by contrast, it was granted me to call without danger upon beauty, which would of course help me. It was the advantage – the only one – of old age. And I imagined, calling them by name, several beautiful women, desires of my youth, of a time in which beautiful women had abounded in an unbelievable way. But they didn’t come. They didn’t yield then, either. And I went on evoking, evoking, until a single beautiful figure emerged from the night: Anna, she of all people, as she was so many years earlier, but with her face, her lovely rosy face, wearing an expression of distress and reproach. Because she wanted to bring me not peace, but remorse. That was clear. And seeing as she was present, I spoke with her. I had left her, but she had immediately married another man, which was altogether fair. But then she had brought into the world a girl who was now fifteen years old and who looked like her mother in her soft colours, the gold of her head and the blue in her eyes, but her face was affected by the intervention of the father who had been chosen for her: the gentle waves of the hair turned into a mass of frizzy curls, big cheeks, a wide mouth and overly thick lips. But her mother’s colouring in her father’s features ended up being a shameless kiss, a kiss in public. What did she want from me now, after she had so often shown herself to me fascinated by her husband?