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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

And just fifteen days ago, further south, beyond the lagoon lakes, she’d carved out the time for a youthful weekend getaway. She’d left without her daughter, going with three friends who fished underwater, they, too, without girlfriends or wives. They’d tooled around in a small car through camping grounds, bays, Saracen towers, fields of prickly pear, white towns, abandoned plains; sun gave way to stormy weather, wind and sea took turns riling one another up, discouraging her companions from fishing, either by skin diving or scuba diving. And so in the end, in addition to being on their own, they were also rudderless. In the deserted camping ground, two of the friends had engaged for hours in a fight, like warriors in the Iliad, making shields out of the plastic lids of garbage cans, jousting with leafy torn-off branches, or even iron bars pried off the roof of the diving shop, among battle cries confused by the wind. At night, inside her small tent, she’d heard one of the men complaining; he wanted a woman. And he only calmed down on the third day, as they rode back, when each of them was immersed in thoughts of everyday hassles, and the loved ones they’d left behind.

The woman thought back to those two adolescent moments – each so far apart in years, both so turbulent and raw. She thought back to that friendly camaraderie with men – at first it had drawn out a spell of eternal, unscathed expectation, but then it had led to disenchantment.

Sun, sea, wind and the daughter’s frenzied playing, which the father continued to indulge, were poorly suited that day – she saw this more and more clearly – to that sense of mild levitation and illness. So she got dressed and headed over to the small establishment managed by the person who had once administered the assets since squandered by her ex-boyfriend’s parents.

She had to chat with the wife, a thin blonde woman, mother of two children: chat about the car, her husband, the new stove she wanted, having seen it in the pages of Grazia, and about hairdressers, holidays, the dishwasher, her kids’ school, Emmanuelle,4 the pill, her family. She also exchanged a word or two with the woman’s mother-in-law, an elderly peasant nostalgic for conversations that would take place on the little street she’d long since left behind, who showed her bobbin lace, pulling them out from a box, lace destined for the countless children and grandchildren who got rich in the north during the boom; lace that was previously scorned but, now that the family had grown sophisticated, was highly coveted. Just like the oils and preserves that the other old women who still lived in the village sent to their children and grandchildren, factory workers in Milan who, back in ’55, used to be ravenous for them. But then, in later years – years, precisely, of economic growth – hand-made goods would only be barely tolerated, out of sentimentality – Sasso oil was better, it didn’t ruin your liver, so were jellies from Massalombarda, and Pavesini biscuits, and zampone wrapped in aluminum foil and hermetically sealed – only to be fancied again, when it became fashionable, in motels along the highways, to have fake rustic genuine preserves, sealed in old glass jars, with hand-written labels glued to them.