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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

We went back there and spent, not a month, but forty-eight hours. The villagers who stared in disbelief at your enormous trunks must have thought you would be staying for a couple of years. On the morning of the third day, tired of seeing nothing but green fields and blue sea, and of counting the carts as they trundled up and down the street, you were at the station, fiddling impatiently with the chain of your scent bottle, and craning your neck to catch sight of a train that couldn’t arrive too soon. In those forty-eight hours we did all it was possible to do in Aci Trezza. We walked down the dusty street and we scrambled over the rocks. Under the pretext of learning to row you got blisters beneath your gloves that had to be kissed better. We spent a marvellously romantic night at sea, casting nets so as to do something to convince the boatmen it was worth their while to be catching rheumatism. Dawn came upon us at the top of the beacon rock. I can still see that dawn – pale and unassuming, with broad, mauve-coloured shafts of light playing across a dark-green sea, caressing the tiny group of cottages that lay huddled up asleep on the shore, while above the rock, silhouetted against the dark and cloudless sky, your tiny figure stood out clearly in the expert lines designed for it by your dressmaker, and the fine, elegant profile of your own making. You were wearing a grey dress that seemed to have been specially made to blend with the colours of the dawn. A truly pretty picture! And you certainly knew it, to judge from the way you modelled yourself in your shawl and smiled with those enormous, tired, wide-open eyes at that strange spectacle, and at the strangeness, too, of being there yourself to witness it. What was going on at that moment in your little head, as you faced the rising sun? Were you asking it to tell you where in the world you would be, a month into the future? All you said, in that ingenuous way of yours, was, ‘I don’t understand how people can spend the whole of their lives in a place like this.’

But you see, the answer is easier than it looks. For a start, all you need is not to have an income of a hundred thousand lire, and to take comfort in suffering a few of the many hardships that go with those giant rocks, set in the deep blue sea, that caused you to clap your hands in wonder. Those poor devils, who were nodding off in the boat as they waited for us, need no more than that to find, in among their ramshackle, picturesque cottages, that seemed to you from a distance to be trembling as if they too were seasick, everything you search for, high and low, in Paris, Nice and Naples.

It’s a curious business, but perhaps it’s better that way for you, and for all the others like you. That cluster of cottages is inhabited by fishermen, who call themselves ‘men of the sea’ as opposed to your ‘men about town’, people whose skins are harder than the bread that they eat, when they eat any bread at all, for the sea is not always as calm as it was when it was planting kisses on your gloves. On its black days, when it roars and it thunders, you have to rest content with standing and gazing out at it from the shore, or lying in your bed, which is the best place to be on an empty stomach. On days like that, a crowd gathers outside the tavern, but you don’t hear many coins rattling on the tin counter, and the kids, who throng the village as if poverty was a good way to multiply their numbers, go shrieking and tearing around as though possessed by the devil.