Contents ( 92)
- Introduced, edited and with selected translations by Jhumpa Lahiri
- Contents
- About the Author
- A Note on the Citation of Titles and Their Translations
- Introduction
- Elio Vittorini
- Name and Tears
- Giovanni Verga
- Picturesque Lives
- Giuseppe Tomasi di Lampedusa
- The Siren
- Antonio Tabucchi
- Against Time
- Italo Svevo
- Generous Wine
- Leonardo Sciascia
- The Long Voyage
- Alberto Savinio
- Bago
- Umberto Saba
- The Hen
- Lalla Romano
- The Lady
- Fabrizia Ramondino
- The Tower
- Luigi Pirandello
- The Trap
- Cesare Pavese
- Wedding Trip
- Goffredo Parise
- Melancholy
- Aldo Palazzeschi
- Silence
- Anna Maria Ortese
- A Pair of Eyeglasses
- Alberto Moravia
- The Other Side of the Moon
- Elsa Morante
- The Ambitious Ones
- Giorgio Manganelli
- Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
- Primo Levi
- Quaestio de Centauris
- Tommaso Landolfi
- Gogol’s Wife
- Natalia Ginzburg
- My Husband
- Carlo Emilio Gadda
- The Mother
- Ennio Flaiano
- A Martian in Rome
- Beppe Fenoglio
- The Smell of Death
- Luce D’eramo
- Life as a Couple
- Antonio Delfini
- The Milliner
- Grazia Deledda
- The Hind
- Alba De Céspedes
- Invitation to Dinner
- Silvio D’arzo
- Elegy for Signora Nodier
- Fausta Cialente
- Malpasso
- Carlo Cassola
- At the Station
- Cristina Campo
- The Golden Nut
- Italo Calvino
- Dialogue with a Tortoise
- Dino Buzzati
- And Yet They Are Knocking at Your Door
- Massimo Bontempelli
- The Miraculous Beach, or, Prize for Modesty
- Romano Bilenchi
- A Geographical Error
- Luciano Bianciardi
- The Streetwalker
- Anna Banti
- Miss
- Giovanni Arpino
- The Baboon
- Corrado Alvaro
- Barefoot
- Notes
- Chronology
- Further Reading
- Acknowledgements
- Copyright Information
- About the Translators
- THE BEGINNING
We went back there and spent, not a month, but forty-eight hours. The villagers who stared in disbelief at your enormous trunks must have thought you would be staying for a couple of years. On the morning of the third day, tired of seeing nothing but green fields and blue sea, and of counting the carts as they trundled up and down the street, you were at the station, fiddling impatiently with the chain of your scent bottle, and craning your neck to catch sight of a train that couldn’t arrive too soon. In those forty-eight hours we did all it was possible to do in Aci Trezza. We walked down the dusty street and we scrambled over the rocks. Under the pretext of learning to row you got blisters beneath your gloves that had to be kissed better. We spent a marvellously romantic night at sea, casting nets so as to do something to convince the boatmen it was worth their while to be catching rheumatism. Dawn came upon us at the top of the beacon rock. I can still see that dawn – pale and unassuming, with broad, mauve-coloured shafts of light playing across a dark-green sea, caressing the tiny group of cottages that lay huddled up asleep on the shore, while above the rock, silhouetted against the dark and cloudless sky, your tiny figure stood out clearly in the expert lines designed for it by your dressmaker, and the fine, elegant profile of your own making. You were wearing a grey dress that seemed to have been specially made to blend with the colours of the dawn. A truly pretty picture! And you certainly knew it, to judge from the way you modelled yourself in your shawl and smiled with those enormous, tired, wide-open eyes at that strange spectacle, and at the strangeness, too, of being there yourself to witness it. What was going on at that moment in your little head, as you faced the rising sun? Were you asking it to tell you where in the world you would be, a month into the future? All you said, in that ingenuous way of yours, was, ‘I don’t understand how people can spend the whole of their lives in a place like this.’
But you see, the answer is easier than it looks. For a start, all you need is not to have an income of a hundred thousand lire, and to take comfort in suffering a few of the many hardships that go with those giant rocks, set in the deep blue sea, that caused you to clap your hands in wonder. Those poor devils, who were nodding off in the boat as they waited for us, need no more than that to find, in among their ramshackle, picturesque cottages, that seemed to you from a distance to be trembling as if they too were seasick, everything you search for, high and low, in Paris, Nice and Naples.
It’s a curious business, but perhaps it’s better that way for you, and for all the others like you. That cluster of cottages is inhabited by fishermen, who call themselves ‘men of the sea’ as opposed to your ‘men about town’, people whose skins are harder than the bread that they eat, when they eat any bread at all, for the sea is not always as calm as it was when it was planting kisses on your gloves. On its black days, when it roars and it thunders, you have to rest content with standing and gazing out at it from the shore, or lying in your bed, which is the best place to be on an empty stomach. On days like that, a crowd gathers outside the tavern, but you don’t hear many coins rattling on the tin counter, and the kids, who throng the village as if poverty was a good way to multiply their numbers, go shrieking and tearing around as though possessed by the devil.