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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

He returned unexpectedly. I went to open the door, thinking it was the doorman with the newspapers, and instead it was him, smiling, holding out his hand, as if he had just left a few hours earlier. There were big hugs, exclamations, chiding; great joy, in other words, together with regret at being caught off guard, denying us the pleasure of looking forward to his arrival. We blamed this on the sense of oppression we still felt inside even though Lello had returned. We immediately uncorked a bottle, as one does on such occasions, and then I showed my brother-in-law a new lamp we had at home and some photographs and two plants in bloom on the balcony. For some reason I couldn’t find anything more to say to him after so many months of his being away and after so much had happened, but, despite myself, a feeling of uneasy melancholy crept up on me. I wanted to cry, not laugh. ‘I’m sorry,’ I said, ‘that we don’t have a nice little dinner prepared for tonight. Tomorrow …’

At which Lello said, ‘Tomorrow night, if you don’t mind, I’d like to invite Captain Smith to dinner.’ He explained that Smith was a British captain who had brought him, by car, from Turin to here. On the spur of the moment we agreed, as an expression of our appreciation: we rushed to the telephone and were overjoyed to hear Captain Smith accept our invitation to dinner the next night.

Our house is very big and beautiful. Once upon a time there were always flowers everywhere, matching the colour of the upholstery. Today one can no longer bother with such things, but that night we felt as if we were back in the old days. There were flowers in the sitting room and on the table we laid the sky-blue tablecloth rather than the usual straw placemats used every day to save on soap.

We had everything ready too early. While waiting for our guest, we relaxed on the sofas, sipping vermouth as if we had stopped by for a visit, and I was pleased to observe that my husband had dressed up for dinner, as he used to do before the war. Now the war is over and I thought it would be normal for us to resume our old ways. ‘He’s a very nice man, Captain Smith,’ Lello said, ‘I think you’ll like him.’ I said nothing, but I was happy that our house was so luminous at that hour and I hoped that our guest wouldn’t arrive too much later since the red clouds of sunset were about to fade. I imagined that the British officer, as he left his hotel on Via Veneto, would notice the boys bent over their shoe-shine boxes, certain men standing on the corners, looking around warily, their pockets filled with cigarettes, the girls with eye-catching hairdos smiling at the soldiers and strolling on cork high heels, and the streets littered with paper, orange and lemon peels, and every kind of trash. I realized, however, that to arrive at our house he would have to walk slightly uphill, as if we rose contemptuously above that pocket of misery and could even ignore it. And then, I have to confess, I was pleased with the three of us: my husband’s suit was well tailored – although he had pointed out to me on numerous occasions that the shoulders were threadbare – and his tie had been purchased on Bond Street. I felt, in short, that our appearance, our house, our books and our English would leave our guest with a very pleasant impression of the people from around here.