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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

We relaxed into a bourgeois feeling of well-being. Since Lello’s return we had realized that, in the midst of the general ruin, we were a truly lucky family. We were all alive, our houses intact, not even a crack, not even a broken window. At that moment, for the first time, I no longer felt that sense of oppression inside, and my husband didn’t either, I could tell, since he was so lively in his speech, he who was always so serious and taciturn. This meant that our spirits were intact, too. We were young and we could start over.

Captain Smith arrived a little late. He was a tall man with grey hair who laughed and gestured abundantly, and his cordiality smoothed over the first moments of embarrassment that always accompany encounters between people who have nothing, not even a language, in common. I accompanied him to the balcony and showed him the panorama, which is vast and serene, surrounded by undulating mountains whose names he wanted to know, one by one, with a thoroughly Anglo-Saxon meticulousness. I don’t know all of them. I’ve been living here for many years and I never thought to ask what they were. For me it’s enough to contemplate the landscape and see it change colour with the time of day. To avoid admitting my ignorance, however, I made up a few names that he wrote down in a little notebook. This gave me a childish joy. I laughed. Maliciously, among the trees below, the fireflies lit up and faded.

When we sat down to the table, I felt a little exhilarated, like a girl at her first ball. I was happy to live in this house, in this season, in this country. Beyond the window you could see the tops of the cypress trees and a dim blue light lingering in the sky. The table was lovely, decorated with short-stemmed flowers interspersed with antique Capodimonte figurines of dancing cupids. The food had been carefully prepared. We hadn’t eaten this well in ages, but we wanted to celebrate the great occasion of Lello’s return. We spoke about the usual things one speaks about in such circumstances. Our English, first, and then our stays in London, and finally our guest’s family, who we declared we couldn’t wait to meet. The moment also arrived, without fail, when he showed us, with obvious pride, the photographs of his children. They were passed around the table, each of us demanding them from the other. Lello, who was the last to get them, really had to struggle to find, in English, a new expression of admiration, after the ones my husband and I had used. Especially since the children were so ugly.