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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

There again, it seemed he had a loathing for children. A glum severity came over his face on finding even a single one of them in the house, like that poor dimwit – the mother smiled – of the caillou, bijou. Oh! ‘her’ Gonzalo! It was quite obvious that the arsenal of glory had refused to take care of him. In him, Plautus wouldn’t find his character, perhaps Molière. The poor mother, without wishing it, saw once again the distant figures of Le Misanthrope and L’Avare, all lace and frills to the knees, in the old book, in two columns, of her adolescent mornings, of her so fervid wakenings: when the circle of the small oil lamp, on the table, was the orb of thought and clarity in the security of the silence. In the old book, smelling of old French ink, with bonnets, lace and Maître Corbeau.fn8 It was clear. After salvaged victories, the printers of funereal glory no longer had enough of their mortuary wood-cuts for a veteran’s verses without hendecasyllables: funerary lamps and phrases and flames and perennis ardee: all used up for the wood-cuts, on the covers of cadaverous poems. Never, never would he, Gonzalo, have used his dead comrades for such glorious poetizing, his brother, a distant smile! The name, the desperate memory, closed up inside him.

The haberdashers had no frills at any price that they could sell him, nor caballero braid, nor ribbon, nor buckles, for his quiet existence. The hidalgo kept away from salons, from the opinions of patriotic ladies. To weak tea, if that were not enough, he preferred the solitary Recoleta road. After such regrettable observations, serious people began indeed to form the view that he should be avoided. And one fine day, indeed, having completed his courses in humanities, and in engineering, his native city of Pastrufazio couldn’t wait to be rid of him.

But these considerations lay beyond his mother’s love, as also her language: in the misery of her dull days she had never taken part in the conversations, in the tinkling conglomerations of fine society.

She thought sweetly of this elder son of hers, seeing him as a child again, intent and studious. And now already hunched, bored of wandering the footpaths. She returned, from the terrace, into the main room. The flies were back, now that the storm was over, buzzing over the table: where the newspapers lay, with new events, that had given way to others. And likewise from year to year, from day to day; for the whole succession of years, of days. And the pages, soon, turned yellow. When the flies ceased their merry-go-round, for a moment, and even the fat green fly, for an instant; then in the fleeting cosmos of that unexpected suspension she could hear the woodworm more distinctly crunching, crunching laboriously, in short spurts, in the old walnut secrétaire that she could no longer unlock. The key had lost its play over successive attempts, or, perhaps, in the painful shadows of memory. The portrait must be there … the portraits … the mother-of-pearl cufflinks … two letters, perhaps, as well … the last ones! … her work scissors, the black lace fan … The one they’d given her in the marshes, a farewell present from colleagues, from the few girls she had taught … several of them excited, all wanting a kiss from her … but she had no shortage, por suerte, of spare scissors: three pairs, in fact.