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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

This was the chit-chat; and the woman was gripped by an aristocratic yearning to be sitting in a café in Istanbul or Vienna, where nobody knew her, where no one would say a word to her or divert her from her state of weary concentration.

Then a huge racket arose, from the clearing between the pier and the sea: children, not joyful but petulant, asking for gelato, a cookie, gum, and: ‘When, when can we watch TV?’

After that there was the trip back in the car; the daughter, still full of energy, who wanted to go down to the gate-keeper’s house and watch TV, who wanted gelato, a cookie, gum. Dinner at home because, as everyone knew, kids had to eat. But there wasn’t much in the kitchen. The father went out to buy some milk and a fancy tin of cookies – also a bottle of grappa for the two of them. The girl had dinner, she frolicked a bit on the tower steps and with the cat; she fell asleep, exhausted, reading the same comic books she’d been reading all week.

The father and mother were also tired, but not from air, motion, sea and sun; they were tired of themselves, and they were even more tired of being together again, because of the daughter.

Grappa had always kept them company in those final years: at first for the difficulty of being together, then for the boredom of being together again. Grappa when they had money, otherwise wine. And that night they still had some money.

He’d taught her how to drink grappa and wine, and inebriation. He taught all this as if it were a form of bliss, as if it were a pledge. He’d accompany the initiation with a smile, now gentle and radiant, now winking with intelligence, now muffled with secret suffering, now airy and engrossing, now sorrowful, as if offended by the hardships of the world; it was the smile of perennial adolescence, though sometimes it turned mean, belonging to someone who couldn’t bear the weight of being unmasked. Then, more and more with the passing of years, the smile was darkened by the offences of misunderstanding and those, yet more serious, of understanding. A smile that had seduced her in the beginning because she’d warped it, that is to say, made it out to be more than it was, the way children do when they see beauty in ordinary faces, or enormity in the village piazza, or think that animals can talk. Or maybe it really had been beautiful back then, and life was what had distorted it.

Now, occasionally, the smile seemed petty or afraid: not gentle but pusillanimous, not radiant but kitschy; the winking intelligence was still there, but it was ensnared by petty daily grievances – and if it rose to a higher plane, it seemed like a delirium or a trap set for others who were more naive; the sorrowful irony had become a tic, a sign of offences suffered and dealt. Then, more recently, nothing moderately appealing about that smile remained; instead it seemed to turn people away; and often it turned into a grimace, like someone who puts his hands over his ears because of a screeching sound, or covers his eyes from a blinding light. Tolerance had turned to cynicism, compassion to self-pity and acrimony.