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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘Are you feeling bad?’ she asked me in a whisper.

She wasn’t sure she had heard and didn’t want to wake me up. I speculated a bit, but I attributed to her the odd intention of rejoicing in that suffering of mine, which was none other than proof that she had been right. I did without the water and lay back down very quietly. She immediately fell back into that light slumber of hers that enabled her to keep an eye on me.

In short, if I didn’t want to put up with that fight with my wife, I was going to have to sleep. I closed my eyes and curled up on one side. Right away, I had to change position. But I was determined and didn’t open my eyes. But every position sacrificed a part of my body. With a body made this way, I thought, there won’t be any sleeping. I was all movement, all wakefulness. A person who is running cannot imagine sleep. I was out of breath, as if from running, and in my ears was the pounding of my feet: of heavy boots. I thought I was perhaps moving too gently in bed to be able to get into the right position and with all of my limbs all at once. Better not to seek it. Better to let everything find the spot that suited its form. I turned over with complete violence. ‘Are you OK?’ my wife immediately muttered. But I didn’t want to respond to those words that alluded offensively to our argument.

Keeping still had to be really easy. What could be so hard about lying, really lying, in bed? I reviewed all of the great difficulties we bump into in this world and found that, by comparison, lying without moving was a trifle. Every swine is able to keep still. My determination came up with a complicated but unbelievably tenacious position. I put my teeth in the upper part of the pillow and twisted around in such a way that my chest was resting on the pillow too, while my right leg hung off the bed and was nearly touching the floor and my left leg went stiff in the bed, chaining me to it. Yes. I had discovered a new system. I wasn’t clinging to the bed; it was the bed that was clinging to me. And this firm belief in my inertia meant that even when my feeling of oppression increased I didn’t give in. When, later, I did have to yield, I consoled myself with the thought that a part of that horrendous night had gone by, and I also had the recompense that, freed from the bed, I felt relieved like a wrestler who has freed himself from his rival’s hold.

I don’t know how long I stayed still for then. I was tired. Surprised, I noticed a strange glow in my closed eyes, a whirling of flames I imagined caused by the fire I felt in me. They weren’t real flames, but colours that simulated them. And then they died out, little by little, and became roundish forms, which soon went all blue, soft, but ringed by a bright red band. They were falling from a high spot, lengthening, and, once they dropped off, disappearing below. It was I who first thought those drops could see me. At once, to see me better, they turned into a lot of little eyes. As they lengthened, falling, a small circle formed in their centre, a circle that, doing without the blue layer, revealed a real eye, malicious and malevolent. I was being chased by a throng that wished me ill. I rebelled in bed, moaning and crying out: ‘My God!’