And now we’re following him, the unknown character who arrived in Crete to reach a pleasant seaside locale and who at a certain moment, abruptly, for a reason also unknown, took a road towards the mountains. The man proceeded till Mourniès, drove through the village without knowing where he was going, though as if he did. Actually he wasn’t thinking, just driving, he knew he was headed south: the sun, still high, was already behind him. Since he’d changed direction, that sensation of lightness had returned, which he’d briefly felt at the table in the ice-cream shop, looking down on the broad horizon: an unusual lightness, and with it an energy he no longer recalled, as though he were young again, a sort of light euphoria, almost a happiness. He arrived at a village called Fournès, drove through the town confidently as though he already knew the way, stopped at a crossroads, the main road went to the right, he took the secondary road with a sign that said: Lefka Ori, the white mountains. He drove on calmly, the sensation of wellbeing was turning into a sort of cheerfulness, a Mozart aria came to mind and he felt he could reproduce its notes, he began whistling them with amazing ease, but then went hopelessly out of tune in a couple of passages, which made him laugh. The road slipped into the rugged canyons of a mountain. They were beautiful and wild places, the car went along a narrow asphalt road bordering the bed of a dry creek, at a certain point the creek bed disappeared among the rocks and the asphalt ended in a dirt road, in a barren plain among inhospitable mountains, meanwhile the light was fading, but he kept going as though he already knew the way, like someone obeying an old memory or an order received in a dream, and at a certain point he saw a crooked tin sign riddled with holes as if from gunshots or from time, and the sign said: Monastiri.

He followed it as though he’d been expecting it all along, until he came to a tiny monastery, its roof in ruins. He realized he’d arrived. Went down. The dilapidated door of those ruins sagged inward. He figured no one was there any longer; a beehive under the little portico seemed the only housekeeper. He went down and waited as if he had an appointment. It was almost dark. Then at the door a monk appeared, he was very old and moved with difficulty, he had the look of an anchorite, with his hair down to his shoulders and yellowish beard, what do you want? he asked in Greek. Do you know Italian? answered the traveller. The old man nodded. A little, he murmured. I’ve come to change places with you, said the man.

So it’d been like this, and no other conclusion was possible, because that story didn’t call for any other possible conclusions, but the person who knew this story was aware that he couldn’t let it conclude in this way, and at this point he made a leap in time. And thanks to one of those leaps in time that are possible only in the imagination, things landed in the future with regard to that month of April of 2008. How many years ahead no one knows, and the person who knew the story remained vague, twenty years, for instance, which in the lifetime of a man is a lot, because if in 2008 a man of sixty still has all his energy, in 2028 he’ll be an old man, his body worn out by time.