Back The Penguin Book of Italian Short Stories Save as PDF
Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

She was born in captivity, in that wretched failed circus, so she has no memory of Africa, the forests, the elephants. If she does dream, maybe it’s about the circus, and the acts they made her perform, dressing her up as a grandmother knitting, a clown tumbling about, a sailor riding a bicycle, a waitress serving at a table … Or else, as is more likely, she dreams about her love, in other words, me. Because even at night her hand searches for me. She is content with a slight touch, I feel those fleshy, oh-so-delicate parts of her fingertips, and immediately I react, stiffening the muscles in my shoulder and in the arm she has touched, in order to calm her and lull her back into a deep sleep.

At night, I’m more aware of how small she is. If she were taller, everything would be much more convenient. I hear her breathing, and in the dark, with my eyes open, I’m a little scared of that bristly, frail little body of hers, wrapped in a summer blouse that’s hardly any length at all. I bought a similar blouse in a large shop years ago, pretending it was for one of my daughters. Since then, Gilda has sewn herself another three, in different colours, and when she comes out of the bathroom in those few centimetres of cloth and gets ready for bed, I’m really touched.

My insomnia, though, poisons these thoughts. For some nights now, I’ve actually been wishing that Gilda were taller. I realize that the image of a Gilda who’s at least one metre sixty tall is starting to upset me. You’re being stupid, I try to rebut myself, your life is perfect, don’t make it a matter of centimetres. And besides: how do you know what she thinks? How do you know that she doesn’t dream of a male baboon of her own who’s smaller and more efficient than you?

These are troublesome thoughts that I can’t easily dismiss. And at such moments I am afraid to reach out my hand and feel that poor little heap of bones sleeping by my side.

Then the insomnia loses its grip and starts to recede, and as I fall asleep I somehow manage to free myself of these idiotic ravings.

I am cursed.

Why does a man always manage – never deliberately, but simply out of inertia and madness – to ruin what he has that’s beautiful and good and useful?

Or does my curse depend on a conjunction of the stars, which, as soon as they see I’m at peace, immediately set about making me take the wrong step?

To be brief: I went to the zoo yesterday. It was Sunday, and the first sunny day after a very long winter. I didn’t want to go alone, so Gilda went with me: she was a little reluctant, because she doesn’t like leaving the house, she’s scared of people and, especially, dogs. Seeing, though, that I insisted, and was laughing, and the sunlight in the kitchen was making me cheerful, she put on her best skirt and came with me, holding me by the hand.