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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

Any comparison between this baboon, Gilda, and my first three wives might seem in bad taste. And yet when I think of them now, I remember them as three witches, always after money, things, words, diversions. Tired of staying in, but then immediately tired of being out for a walk, or at the cinema, or in a café, or by the sea. With sudden pains in their feet, or with headaches, snivelling for no reason. Lazy. And very stingy, when they weren’t being spendthrift. Sometimes badly washed, and maybe churlish towards friends of mine who came to the house for a chat, a drink, a Sunday poker game.

Gilda doesn’t have even one of these defects. She’s limited, that much is true, but she’s no burden, she doesn’t make claims, she doesn’t answer back, she doesn’t argue, she couldn’t concoct the smallest whim. Home and a little love are absolutely everything to her. And that’s reassuring for a mature man like me, it makes him tougher, more solid, it doesn’t disturb the equilibrium of his days, or his work.

Of course, there are a few bones of contention between Gilda and me, but they’re more a matter of nature than of conflicts of character.

For example: Gilda is under the illusion, I don’t know how or why, that she can grow, that she can become at least as tall as me. She’s always thinking about it. Every now and again she takes me by the hand and drags me over to the mirror. She looks at our images standing side by side, me tall and strapping in my shirtsleeves, she in her little petticoat, barely coming up to my waist, and she shakes her head and her eyes grow dim with tears. Or else she takes the rolled-up tape measure from her workbasket and hands it to me, and I have to measure her against the wall as you do with children. But the mark on the wall is where it always was, it hasn’t got any higher in three years, and Gilda stares at it, studies it, then wipes away a tear.

To console her at such times, but in a clearly playful tone, so that she won’t get the wrong idea, I say, ‘Bee-ba?’ And she shakes her head, I don’t know if it’s because of her despair at not having grown yet or because she has understood that in saying ‘Bee-ba’ I am only playing a game.

For some time now, before going to bed at night, I’ve had to give her a mild sleeping pill. Since I suffer a little from insomnia, she gets nervous and worried, and would be quite capable of spending the night sitting watching me until I fall asleep. To avoid this needless complication, I give her the pill and take two of them myself, even though I know they have almost no effect on me these days, and then lie there for hours hearing her sleeping next to me.

She doesn’t snore, although every now and again she lets out a long sigh. I have no idea if she dreams or not. They say dogs have the ability to dream, so why not creatures as evolved as baboons?