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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

I have to confess it: she’s the best of the wives I’ve had. She’s the fourth, I’ve been widowed three times, fortunately without the added burden of children. They all died on me when they were young: it seemed like a curse.

‘What did you do to her?’ my friends said after the funeral of the third. ‘You have to tell us now.’ They had become suspicious, unwilling to accept that it was a simple case of pneumonia.

But this Gilda, I admit to myself, is a treasure. A good girl, as I said, docile, helpful, all she needs is a cheap little necklace a couple of times a year. She washes and irons her skirts for herself, and every day she combs and grooms herself with incredible care. The house gleams like a mirror. In the kitchen – well, there she doesn’t manage so well. She’s too predictable, she can’t figure out more than the same three or four dishes. But I knew that right from the beginning, when I bought her from that circus that had gone bust after a tornado destroyed the tent and broke the tamer’s leg.

‘She can do everything,’ the owner of the circus told me at the time. ‘Better than a maid. I swear I wouldn’t be selling her if it wasn’t for that disaster … We gave her a good training … She doesn’t eat much, you know? Nothing, really … You’re getting a good deal.’

Gilda has been with me for three years now. She’s robust and healthy, and takes care of herself from her ears to the tip of her tail. She smells of cologne, soap and talcum powder.

She loves me. Maybe even too much. Not that she expects me to be particularly effusive, sometimes all she needs is a caress, poor thing, but she moves around me with the huge weight of love that she feels, and I can smell its heat, its constant intensity.

‘Bee-ba,’ she says to me every now and again under her breath, closing her eyes and quivering, and then I know that I have to stroke her in a certain way, until her grunting gently fades into an almost imperceptible sigh.

Or maybe I give in, and then for the next three or four days she bustles about like a madwoman, polishing the furniture, beating the cushions, scouring the pans, lighting my cigarettes, humming in the bath, blowing me anxious little kisses with the tips of her fingers from the end of the corridor. Or else she summons her courage and grooms me, smoothly moving the brush back and forth between the top of my skull and the back of my neck. She loves grooming me, and it’s a joy she knows she can obtain only in exceptional cases. As she moves the brush, I feel her warm breath blowing between my skin and my shirt collar, interspersed with the occasional very light, very shy kiss.

When she does that, I say ‘Good girl’ and continue to read my newspaper, while she resumes brushing my hair, placated and contented by the masterful tone of my voice.