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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

He spoke with insolent detachment. To him I was apparently something less than a cockroach, more like a dust mote whirling aimlessly in a sunbeam. And yet the calm voice, precise speech and use of the familiar tu radiated the serenity of a Platonic dialogue.

‘My name is Paolo Corbera. I was born in Palermo, where I also took my law degree. Now I work here for La Stampa. To reassure you, Senator, let me add that on my exit exams I earned a “5 plus” out of 10 in Greek, and I suspect that the “plus” was only added to make sure I received my diploma.’

He gave a half smile. ‘Thank you for telling me this. So much the better. I detest speaking with people who think they know what they in fact do not, like my colleagues at the university. In the end they are familiar only with the external forms of Greek, its eccentricities and deformities. The living spirit of this language, foolishly called “dead,” has not been revealed to them. Nothing has been revealed to them, for that matter. They are poor wretches, after all: How could they perceive this spirit without ever having had the opportunity to hear Greek?’

Pride is fine, sure, it’s better than false modesty, but it seemed to me the senator was going too far. I even wondered whether the years might have succeeded in softening somewhat his exceptional mind. Those poor things, his colleagues, had had just as much opportunity to hear Ancient Greek as he had – that is, none.

He went on: ‘Paolo, you’re lucky to bear the name of the one apostle who had a bit of culture and a smattering of reading under his belt. Though Jerome would have been better. The other names you Christians carry around are truly contemptible. The names of slaves.’

I was disappointed again. He really seemed like nothing more than a typical anticlerical academic with a pinch of Fascist Nietzscheism thrown in. Could it be?

He voice rose and fell appealingly as he continued to speak, with the ardour, perhaps, of someone who had passed a great deal of time in silence. ‘Corbera … Is that not one of the great names of Sicily, or am I mistaken? I remember that my father paid the annual rent for our house in Aci Castello to the administrator of a House of Corbera di Palina, or Salina, I can’t recall which. He’d always joke and say that if there was one thing that was certain in this world, it was that those few lire weren’t going to end up in the pockets of the “demesne,” as he called it. But are you one of those Corberas, or just a descendant of some peasant who took his master’s name?’

I confessed that I really was a Corbera di Salina, the sole surviving specimen, in fact. All the opulence, all the sins, all the uncollected rents, all the unpaid debts, all the political opportunism of the Leopard were concentrated in me alone. Paradoxically, the senator seemed pleased.