Contents ( 92)
- Introduced, edited and with selected translations by Jhumpa Lahiri
- Contents
- About the Author
- A Note on the Citation of Titles and Their Translations
- Introduction
- Elio Vittorini
- Name and Tears
- Giovanni Verga
- Picturesque Lives
- Giuseppe Tomasi di Lampedusa
- The Siren
- Antonio Tabucchi
- Against Time
- Italo Svevo
- Generous Wine
- Leonardo Sciascia
- The Long Voyage
- Alberto Savinio
- Bago
- Umberto Saba
- The Hen
- Lalla Romano
- The Lady
- Fabrizia Ramondino
- The Tower
- Luigi Pirandello
- The Trap
- Cesare Pavese
- Wedding Trip
- Goffredo Parise
- Melancholy
- Aldo Palazzeschi
- Silence
- Anna Maria Ortese
- A Pair of Eyeglasses
- Alberto Moravia
- The Other Side of the Moon
- Elsa Morante
- The Ambitious Ones
- Giorgio Manganelli
- Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
- Primo Levi
- Quaestio de Centauris
- Tommaso Landolfi
- Gogol’s Wife
- Natalia Ginzburg
- My Husband
- Carlo Emilio Gadda
- The Mother
- Ennio Flaiano
- A Martian in Rome
- Beppe Fenoglio
- The Smell of Death
- Luce D’eramo
- Life as a Couple
- Antonio Delfini
- The Milliner
- Grazia Deledda
- The Hind
- Alba De Céspedes
- Invitation to Dinner
- Silvio D’arzo
- Elegy for Signora Nodier
- Fausta Cialente
- Malpasso
- Carlo Cassola
- At the Station
- Cristina Campo
- The Golden Nut
- Italo Calvino
- Dialogue with a Tortoise
- Dino Buzzati
- And Yet They Are Knocking at Your Door
- Massimo Bontempelli
- The Miraculous Beach, or, Prize for Modesty
- Romano Bilenchi
- A Geographical Error
- Luciano Bianciardi
- The Streetwalker
- Anna Banti
- Miss
- Giovanni Arpino
- The Baboon
- Corrado Alvaro
- Barefoot
- Notes
- Chronology
- Further Reading
- Acknowledgements
- Copyright Information
- About the Translators
- THE BEGINNING
In the newspaper offices the following day I searched through that peculiar drawer of the obituary file containing the ‘advancers.’ The ‘La Ciura’ card was there, for once tolerably well drafted. I read how the great man had been born into an impoverished petit bourgeois family in Aci Castello (Catania), and that thanks to an astonishing aptitude for Ancient Greek, and by dint of scholarships and scholarly publications, he had at the age of twenty-seven attained the chair of Greek literature at the University of Pavia. Subsequently he had moved to the University of Turin, where he remained until retirement. He had taught at Oxford and Tübingen and travelled extensively, for not only had he been a senator since before the Fascists came to power and a member of the Lincean Academy; he had also received honorary degrees from Yale, Harvard, New Delhi and Tokyo, as well as, of course, from the most prestigious European universities from Uppsala to Salamanca. His lengthy list of publications included many that were considered fundamental, especially those on Ionic dialects; suffice to say that he had been commissioned to edit the Hesiod volume in the Bibliotheca Teubneriana, the first foreigner so honoured, to which he had added an introduction in Latin of unsurpassed scientific rigour and profundity. Finally, the greatest honour of all, he was not a member of the Fascist Royal Academy of Italy. What had always set him apart from other exceedingly erudite colleagues was a vital, almost carnal sense of classical antiquity, a quality on display in a collection of essays written in Italian, Men and Gods, which had been recognized as a work not only of great erudition but of authentic poetry. He was, in short, ‘an honour to a nation and a beacon to the world,’ as the card concluded. He was seventy-five years old and lived decorously but far from lavishly on his pension and senator’s benefits. He was a bachelor.
There’s no use denying that we Italians – original sons (or fathers) of the Renaissance – look on the Great Humanist as superior to all other human beings. The possibility of finding myself in daily proximity to the highest representative of such subtle, almost magical, and poorly remunerated wisdom was both flattering and disturbing. I experienced the same sensations that a young American would on meeting Mr Gillette: fear, respect, a certain not ignoble envy.
That evening I descended into Limbo in quite a different spirit than that of the previous days. The senator was already at his spot and responded to my reverential greeting with a faint grumble. When, however, he’d finished reading an article and jotted down a few things in a small notebook, he turned toward me and, in a strangely musical voice, said, ‘Fellow countryman, from the manner in which you greeted me I gather that one of these phantoms has told you who I am. Forget it, and, if you haven’t already done so, forget the aorist tense you studied in secondary school. Instead tell me your name, because your introduction yesterday evening was the usual mumbled mess and I, unlike you, do not have the option of learning who you are from others. Because it’s clear that no one here knows you.’