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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘That’s fine, just fine. I have a great deal of respect for the old families. Their memory is … miniscule, of course, but still it’s greater than the others’. It’s as much of physical immortality as your sort can hope for. Think about getting married soon, Corbera, seeing as how your sort haven’t found any better way to survive than scattering your seed in the strangest places.’

He was definitely trying my patience. ‘Your sort.’ Who was that? The whole contemptible herd that was not fortunate enough to be Senator La Ciura? Who’d attained physical immortality? You’d never know it from looking at his wrinkled face, his sagging flesh …

‘Corbera di Salina,’ he continued, undeterred, ‘You don’t mind if I call you tu, as I do with my students in their fleeting youth?’

I professed to be not only honoured but delighted, and I was. Moving beyond questions of names and protocol, we now spoke of Sicily. It had been twenty years since he’d set foot on the island, and the last time he’d been ‘down there,’ as he called it in the Piedmontese manner, he’d stayed a mere five days, in Syracuse, to talk to Paolo Orsi about the alternating choruses in classical theatre.

‘I remember they wanted to take me in a car from Catania to Syracuse; I accepted only when I learned that at Augusta the road passes far from the sea, whereas the train follows the coastline. Tell me about our island. It’s a beautiful places, even if it is inhabited by donkeys. The gods once sojourned there – and perhaps in some endless Augusts they return. But don’t on any account speak to me about those four modern temples of yours, not that that’s anything you’d understand, I’m sure.’

So we spoke about eternal Sicily, the Sicily of the natural world; about the scent of rosemary on the Nebrodi Mountains and the taste of Melilli honey; about the swaying cornfields seen from Etna on a windy day in May, some secluded spots near Syracuse, and the fragrant gusts from the citrus plantations known to sweep down on Palermo during sunset in June. We spoke of those magic summer nights, looking out over the gulf of Castellammare, when the stars are mirrored in the sleeping sea, and how, lying on your back among the mastic trees, your spirit is lost in the whirling heavens, while the body braces itself, fearing the approach of demons.

The senator had scarcely visited the island for fifty years, and yet his memory of certain minute details was remarkably precise. ‘Sicily’s sea is the most vividly coloured, the most romantic of any I have ever seen; it’s the only thing you won’t manage to ruin, at least away from the cities. Do the trattorias by the sea still serve spiny urchins, split in half?’

I assured him that they did, though adding that few people ate them now, for fear of typhus.

‘And yet they are the most beautiful thing you have down there, bloody and cartilaginous, the very image of the female sex, fragrant with salt and seaweed. Typhus, typhus! They’re dangerous as all gifts from the sea are; the sea offers death as well as immortality. In Syracuse I demanded that Orsi order them immediately. What flavour! How divine in appearance! My most beautiful memory of the last fifty years!’