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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

I never saw her again, just as I never saw a black cashmere sweater that had cost me a small fortune and possessed the woeful merit of being cut to suit a woman just as well as a man. All she left were two of those so-called invisible hairpins on the bed.

That same afternoon I had an appointment with no. 2 in a patisserie in Piazza Carlo Felice. At the little round table in the western corner of the second room – ‘our’ table – I saw not the chestnut tresses of the girl whom I now desired more than ever but the sly face of Tonino, her twelve-year-old brother. He’d just gulped down some hot chocolate with a double portion of whipped cream. With typical Turinese urbanity, he stood as I approached.

‘Sir,’ he said, ‘Pinotta will not be coming; she asked me to give you this note. Good day, sir.’

He went out, taking with him the two brioches left on his plate. The ivory-coloured card announced that I was summarily dismissed on account of my infamy and ‘southern dishonesty.’ Clearly, no. 1 had tracked down and provoked no. 2, and I had fallen between two stools.

In twelve hours I had lost two usefully complementary girls plus a sweater to which I was rather attached; I also had to pick up the bill for that infernal Tonino. I’d been made a fool of, humiliated in my very Sicilian self-regard; and I decided to abandon for a time the world and its pomps.

There was no better place for this period of retreat than the café on Via Po where, lonely as a dog, I now went at every free moment, and always in the evening after my work at the newspaper. It was a sort of Hades filled with the wan shades of lieutenant colonels, magistrates and retired professors. These vain apparitions played draughts or dominoes, submerged in a light that was dimmed during the day by the clouds and the arcade outside, during the evenings by the enormous green shades on the chandeliers. They never raised their voices, afraid that any immoderate sound might upset the fragile fabric of their presence. It was, in short, a most satisfactory Limbo.

Being a creature of habit, I always sat at the same little corner table, one carefully designed to provide maximum discomfort to the customer. On my left two spectral senior officers played trictrac with two phantoms from the appeals court; their military and judicial dice slipped tonelessly from a leather cup. On my right sat an elderly man wrapped in an old overcoat with a worn astrakhan collar. He read foreign magazines one after another, smoked Tuscan cigars, and frequently spat. Every so often he would close his magazine and appear to be pursuing some memory in the spirals of smoke; then he would go back to reading and spitting. His hands were as ugly as could be, gnarled and ruddy, with fingernails that were cut straight across and not always clean. Once, however, when he came across a photograph in a magazine of an archaic Greek statue, the kind with widespread eyes and an ambiguous smile, I was surprised to see his disfigured fingertips caress the image with positively regal delicacy. When he realized that I’d seen him, he grunted with displeasure and ordered a second espresso.