Contents ( 92)
- Introduced, edited and with selected translations by Jhumpa Lahiri
- Contents
- About the Author
- A Note on the Citation of Titles and Their Translations
- Introduction
- Elio Vittorini
- Name and Tears
- Giovanni Verga
- Picturesque Lives
- Giuseppe Tomasi di Lampedusa
- The Siren
- Antonio Tabucchi
- Against Time
- Italo Svevo
- Generous Wine
- Leonardo Sciascia
- The Long Voyage
- Alberto Savinio
- Bago
- Umberto Saba
- The Hen
- Lalla Romano
- The Lady
- Fabrizia Ramondino
- The Tower
- Luigi Pirandello
- The Trap
- Cesare Pavese
- Wedding Trip
- Goffredo Parise
- Melancholy
- Aldo Palazzeschi
- Silence
- Anna Maria Ortese
- A Pair of Eyeglasses
- Alberto Moravia
- The Other Side of the Moon
- Elsa Morante
- The Ambitious Ones
- Giorgio Manganelli
- Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
- Primo Levi
- Quaestio de Centauris
- Tommaso Landolfi
- Gogol’s Wife
- Natalia Ginzburg
- My Husband
- Carlo Emilio Gadda
- The Mother
- Ennio Flaiano
- A Martian in Rome
- Beppe Fenoglio
- The Smell of Death
- Luce D’eramo
- Life as a Couple
- Antonio Delfini
- The Milliner
- Grazia Deledda
- The Hind
- Alba De Céspedes
- Invitation to Dinner
- Silvio D’arzo
- Elegy for Signora Nodier
- Fausta Cialente
- Malpasso
- Carlo Cassola
- At the Station
- Cristina Campo
- The Golden Nut
- Italo Calvino
- Dialogue with a Tortoise
- Dino Buzzati
- And Yet They Are Knocking at Your Door
- Massimo Bontempelli
- The Miraculous Beach, or, Prize for Modesty
- Romano Bilenchi
- A Geographical Error
- Luciano Bianciardi
- The Streetwalker
- Anna Banti
- Miss
- Giovanni Arpino
- The Baboon
- Corrado Alvaro
- Barefoot
- Notes
- Chronology
- Further Reading
- Acknowledgements
- Copyright Information
- About the Translators
- THE BEGINNING
I never saw her again, just as I never saw a black cashmere sweater that had cost me a small fortune and possessed the woeful merit of being cut to suit a woman just as well as a man. All she left were two of those so-called invisible hairpins on the bed.
That same afternoon I had an appointment with no. 2 in a patisserie in Piazza Carlo Felice. At the little round table in the western corner of the second room – ‘our’ table – I saw not the chestnut tresses of the girl whom I now desired more than ever but the sly face of Tonino, her twelve-year-old brother. He’d just gulped down some hot chocolate with a double portion of whipped cream. With typical Turinese urbanity, he stood as I approached.
‘Sir,’ he said, ‘Pinotta will not be coming; she asked me to give you this note. Good day, sir.’
He went out, taking with him the two brioches left on his plate. The ivory-coloured card announced that I was summarily dismissed on account of my infamy and ‘southern dishonesty.’ Clearly, no. 1 had tracked down and provoked no. 2, and I had fallen between two stools.
In twelve hours I had lost two usefully complementary girls plus a sweater to which I was rather attached; I also had to pick up the bill for that infernal Tonino. I’d been made a fool of, humiliated in my very Sicilian self-regard; and I decided to abandon for a time the world and its pomps.
There was no better place for this period of retreat than the café on Via Po where, lonely as a dog, I now went at every free moment, and always in the evening after my work at the newspaper. It was a sort of Hades filled with the wan shades of lieutenant colonels, magistrates and retired professors. These vain apparitions played draughts or dominoes, submerged in a light that was dimmed during the day by the clouds and the arcade outside, during the evenings by the enormous green shades on the chandeliers. They never raised their voices, afraid that any immoderate sound might upset the fragile fabric of their presence. It was, in short, a most satisfactory Limbo.
Being a creature of habit, I always sat at the same little corner table, one carefully designed to provide maximum discomfort to the customer. On my left two spectral senior officers played trictrac with two phantoms from the appeals court; their military and judicial dice slipped tonelessly from a leather cup. On my right sat an elderly man wrapped in an old overcoat with a worn astrakhan collar. He read foreign magazines one after another, smoked Tuscan cigars, and frequently spat. Every so often he would close his magazine and appear to be pursuing some memory in the spirals of smoke; then he would go back to reading and spitting. His hands were as ugly as could be, gnarled and ruddy, with fingernails that were cut straight across and not always clean. Once, however, when he came across a photograph in a magazine of an archaic Greek statue, the kind with widespread eyes and an ambiguous smile, I was surprised to see his disfigured fingertips caress the image with positively regal delicacy. When he realized that I’d seen him, he grunted with displeasure and ordered a second espresso.