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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

A kinder fate lay in store for those who died, one in the naval battle of Lissa. He was the eldest son, the one you thought resembled a David sculpted in bronze, as he stood there clutching his harpoon with the light from the flame of the lanterns playing about his features. Big and tall as he was, he too glowed with pleasure whenever you darted your brazen eyes in his direction. But he died a good sailor, standing firm at the rigging of the yardarm, raising his cap in the air and saluting the flag for the last time with the primitive shout of the islander bred and born. The other man, the one who was too timid to touch your foot on the island to free it from the rabbit trap where you got it caught in that heedless way of yours, was lost on a dark winter’s night, alone at sea amid the raging foam, when between his boat and the shore – where his loved ones awaited his return, rushing here and there as though possessed – there lay sixty miles of storm and darkness. You would never have guessed the amount of sheer dauntless courage that man was capable of, who allowed himself to be overawed by the handiwork of your shoemaker.

The ones who are dead are better off. They are not eating ‘the king’s bread’, like the poor devil locked up on Pantelleria, or the kind of bread his sister is eating, nor do they go around like the woman with the oranges, living on the charity of God, which doesn’t flow too freely in Aci Trezza. At least the dead need nothing any more! That’s what the son of the woman who keeps the tavern said, the last time he went to the hospital to enquire about the old man and smuggle in some of those stuffed snails that are so good to suck for anyone who has no teeth, and he found the bed empty, with the blankets neatly folded upon it. He crept out into the hospital yard and planted himself at a door with a lot of wastepaper piled up against it, and through the keyhole he spied a large empty room, hollow-sounding and icy even in summer, and the end of a long marble table, with a thick, starched sheet draped over it. And thinking to himself that the ones inside no longer needed anything, and the snails were of no use to them any more, he began to suck them one after the other to pass away the time. It will comfort you to think, as you hug your blue fox muff to your bosom, that you gave a hundred lire to the poor old fellow.

Those village kids who followed you like stray dogs and raided the oranges are still there. They are still buzzing round the beggarwoman, pawing at her clothes as though she’s hiding a crust of bread, picking up cabbage stalks, orange peel and cigar stubs, all the things thrown away in the street but obviously still having some value because the poor live on them. They live so well on them, in fact, that those starving, blown-out ragamuffins will grow up in the mud and the dust of the street, and turn out big and strong like their fathers and grandfathers. Then they in turn will populate Aci Trezza with more ragamuffins, who will cling on to life as long as they can by the skin of their teeth, like that old grandfather, wanting nothing else but simply praying to God they will close their eyes in the place where they opened them, attended by the village doctor who goes round every day on his donkey, like Jesus, to succour the departing ones.