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Contents ( 92)
  1. Introduced, edited and with selected translations by Jhumpa Lahiri
  2. Contents
  3. About the Author
  4. A Note on the Citation of Titles and Their Translations
  5. Introduction
  6. Elio Vittorini
  7. Name and Tears
  8. Giovanni Verga
  9. Picturesque Lives
  10. Giuseppe Tomasi di Lampedusa
  11. The Siren
  12. Antonio Tabucchi
  13. Against Time
  14. Italo Svevo
  15. Generous Wine
  16. Leonardo Sciascia
  17. The Long Voyage
  18. Alberto Savinio
  19. Bago
  20. Umberto Saba
  21. The Hen
  22. Lalla Romano
  23. The Lady
  24. Fabrizia Ramondino
  25. The Tower
  26. Luigi Pirandello
  27. The Trap
  28. Cesare Pavese
  29. Wedding Trip
  30. Goffredo Parise
  31. Melancholy
  32. Aldo Palazzeschi
  33. Silence
  34. Anna Maria Ortese
  35. A Pair of Eyeglasses
  36. Alberto Moravia
  37. The Other Side of the Moon
  38. Elsa Morante
  39. The Ambitious Ones
  40. Giorgio Manganelli
  41. Sixteen, Twenty-one, Twenty-eight and Thirty-seven from Centuria
  42. Primo Levi
  43. Quaestio de Centauris
  44. Tommaso Landolfi
  45. Gogol’s Wife
  46. Natalia Ginzburg
  47. My Husband
  48. Carlo Emilio Gadda
  49. The Mother
  50. Ennio Flaiano
  51. A Martian in Rome
  52. Beppe Fenoglio
  53. The Smell of Death
  54. Luce D’eramo
  55. Life as a Couple
  56. Antonio Delfini
  57. The Milliner
  58. Grazia Deledda
  59. The Hind
  60. Alba De Céspedes
  61. Invitation to Dinner
  62. Silvio D’arzo
  63. Elegy for Signora Nodier
  64. Fausta Cialente
  65. Malpasso
  66. Carlo Cassola
  67. At the Station
  68. Cristina Campo
  69. The Golden Nut
  70. Italo Calvino
  71. Dialogue with a Tortoise
  72. Dino Buzzati
  73. And Yet They Are Knocking at Your Door
  74. Massimo Bontempelli
  75. The Miraculous Beach, or, Prize for Modesty
  76. Romano Bilenchi
  77. A Geographical Error
  78. Luciano Bianciardi
  79. The Streetwalker
  80. Anna Banti
  81. Miss
  82. Giovanni Arpino
  83. The Baboon
  84. Corrado Alvaro
  85. Barefoot
  86. Notes
  87. Chronology
  88. Further Reading
  89. Acknowledgements
  90. Copyright Information
  91. About the Translators
  92. THE BEGINNING

‘The ambition of the oyster!’ you may say. Exactly, and the only reason we find it absurd is that we were not born oysters ourselves.

But in any case, the tenacious clinging of those poor souls to the rock on to which fortune decreed they should fall, as it scattered princes here and duchesses there, their brave resignation to a life full of hardships, their religion of the family, reflected in their work, their homes and the walls that surround them, seem to me, for the time being at any rate, deeply serious and worthy of respect. It seems to me that the anxieties of our wandering thoughts would find sweet solace in the tranquil calm of those simple, uncomplicated feelings that are handed down, serene and unchanging, from one generation to the next. It seems to me that I could watch you passing by, to the sound of your horses’ trotting hooves and the merry jingling of their brasses, and greet you without a care in the world.

Perhaps because I have tried too hard to penetrate the whirlwind that surrounds and pursues you, I have now learned to understand the inevitable need for that solid, mutual affection among the weak, for the instinct of the underprivileged to cling to one another to survive the storms of their existence, and I have tried to unravel the humble, undiscovered drama that has dispersed to the four winds its plebeian actors whom we once got to know together. The drama of which I speak, which perhaps one day I shall unfold to you in its entirety, would seem to me to depend essentially on this: that whenever one of the underprivileged, being either weaker, or less cautious, or more selfish than the others, decided to break with his family out of a desire for the unknown, or an urge for a better life, or curiosity to know the world, then the world, like the voracious fish that it is, swallowed him up along with his nearest and dearest. From this point of view you will see that the drama is not without interest. The main concern of oysters must be to protect themselves from the snares of the lobster, or the knife of the diver that prises them from the rock.

‘Fantasticheria’

First published in the weekly magazine Il fanfulla della Domenica (14 March 1880), and, in the same year, in the collection Vita dei campi (Treves).

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